We are metaphysical animals

 I’m reading a book called Metaphysical Animals (How Four Women Brought Philosophy Back To Life). The four women were Mary Midgley, Iris Murdoch, Philippa Foot and Elizabeth Anscombe. The first two I’m acquainted with and the last two, not. They were all at Oxford during the War (WW2) at a time when women were barely tolerated in academia and had to be ‘chaperoned’ to attend lectures. Also a time when some women students ended up marrying their tutors. 

The book is authored by Clare Mac Cumhaill and Rachael Wiseman, both philosophy lecturers who became friends with Mary Midgley in her final years (Mary died in 2018, aged 99). The book is part biographical of all 4 women and part discussion of the philosophical ideas they explored.

 

Bringing ‘philosophy back to life’ is an allusion to the response (backlash is too strong a word) to the empiricism, logical positivism and general rejection of metaphysics that had taken hold of English philosophy, also known as analytical philosophy. Iris spent time in postwar Paris where she was heavily influenced by existentialism and Jean-Paul Sartre, in particular, whom she met and conversed with. 

 

If I was to categorise myself, I’m a combination of analytical philosopher and existentialist, which I suspect many would see as a contradiction. But this isn’t deliberate on my part – more a consequence of pursuing my interests, which are science on one hand (with a liberal dose of mathematical Platonism) and how-to-live a ‘good life’ (to paraphrase Aristotle) on the other.

 

Iris was intellectually seduced by Sartre’s exhortation: “Man is nothing else but that which he makes of himself”. But as her own love life fell apart along with all its inherent dreams and promises, she found putting Sartre’s implicit doctrine, of standing solitarily and independently of one’s milieu, difficult to do in practice. I’m not sure if Iris was already a budding novelist at this stage of her life, but anyone who writes fiction knows that this is what it’s all about: the protagonist sailing their lone ship on a sea full of icebergs and other vessels, all of which are outside their control. Life, like the best fiction, is an interaction between the individual and everyone else they meet. Your moral compass, in particular, is often tested. Existentialism can be seen as an attempt to arise above this, but most of us don’t. 

 

Not surprisingly, Wittgenstein looms large in many of the pages, and at least one of the women, Elizabeth Anscombe, had significant interaction with him. With Wittgenstein comes an emphasis on language, which has arguably determined the path of philosophy since. I’m not a scholar of Wittgenstein by any stretch of the imagination, but one thing he taught, or that people took from him, was that the meaning we give to words is a consequence of how they are used in ordinary discourse. Language requires a widespread consensus to actually work. It’s something we rarely think about but we all take for granted, otherwise there would be no social discourse or interaction at all. There is an assumption that when I write these words, they have the same meaning for you as they do for me, otherwise I am wasting my time.

 

But there is a way in which language is truly powerful, and I have done this myself. I can write a passage that creates a scene inside your mind complete with characters who interact and can cause you to laugh or cry, or pretty much any other emotion, as if you were present; as if you were in a dream.

 

There are a couple of specific examples in the book which illustrate Wittgenstein’s influence on Elizabeth and how she used them in debate. They are both topics I have discussed myself without knowing of these previous discourses.

 

In 1947, so just after the war, Elizabeth presented a paper to the Cambridge Moral Sciences Club, which she began with the following disclosure:

 

Everywhere in this paper I have imitated Dr Wittgenstein’s ideas and methods of discussion. The best that I have written is a weak copy of some features of the original, and its value depends only on my capacity to understand and use Dr Wittgenstein’s work.

 

The subject of her talk was whether one can truly talk about the past, which goes back to the pre-Socratic philosopher, Parmenides. In her own words, paraphrasing Parmenides, ‘To speak of something past’ would then to ‘point our thought’ at ‘something there’, but out of reach. Bringing Wittgenstein into the discussion, she claimed that Parmenides specific paradox about the past arose ‘from the way that thought and language connect to the world’.

 

We apply language to objects by naming them, but, in the case of the past, the objects no longer exist. She attempts to resolve this epistemological dilemma by discussing the nature of time as we experience it, which is like a series of pictures that move on a timeline while we stay in the present. This is analogous to my analysis that everything we observe becomes the past as soon as it happens, which is exemplified every time someone takes a photo, but we remain in the present – the time for us is always ‘now’.

 

She explains that the past is a collective recollection, documented in documents and photos, so it’s dependent on a shared memory. I would say that this is what separates our recollection of a real event from a dream, which is solipsistic and not shared with anyone else. But it doesn’t explain why the past appears fixed and the future unknown, which she also attempted to address. But I don’t think this can be addressed without discussing physics.

 

Most physicists will tell you that the asymmetry between the past and future can only be explained by the second law of thermodynamics, but I disagree. I think it is described, if not explained, by quantum mechanics (QM) where the future is probabilistic with an infinitude of possible paths and classical physics is a probability of ONE because it’s already happened and been ‘observed’. In QM, the wave function that gives the probabilities and superpositional states is NEVER observed. The alternative is that all the futures are realised in alternative universes. Of course, Elizabeth Anscombe would know nothing of these conjectures.

 

But I would make the point that language alone does not resolve this. Language can only describe these paradoxes and dilemmas but not explain them.

 

Of course, there is a psychological perspective to this, which many people claim, including physicists, gives the only sense of time passing. According to them, it’s fixed: past, present and future; and our minds create this distinction. I think our minds create the distinction because only consciousness creates a reference point for the present. Everything non-sentient is in a causal relationship that doesn’t sense time. Photons of light, for example, exist in zero time, yet they determine causality. Only light separates everything in time as well as space. I’ve gone off-topic.

 

Elizabeth touched on the psychological aspect, possibly unintentionally (I’ve never read her paper, so I could be wrong) that our memories of the past are actually imagined. We use the same part of the brain to imagine the past as we do to imagine the future, but again, Elizabeth wouldn’t have known this. Nevertheless, she understood that our (only) knowledge of the past is a thought that we turn into language in order to describe it.

 

The other point I wish to discuss is a famous debate she had with C.S. Lewis. This is quite something, because back then, C.S. Lewis was a formidable intellectual figure. Elizabeth’s challenge was all the more remarkable because Lewis’s argument appeared on the surface to be very sound. Lewis argued that the ‘naturalist’ position was self-refuting if it was dependent on ‘reason’, because reason by definition (not his terminology) is based on the premise of cause and effect and human reason has no cause. That’s a simplification, nevertheless it’s the gist of it. Elizabeth’s retort:

 

What I shall discuss is this argument’s central claim that a belief in the validity of reason is inconsistent with the idea that human thought can be fully explained as the product of non-rational causes.

 

In effect, she argued that reason is what humans do perfectly naturally, even if the underlying ‘cause’ is unknown. Not knowing the cause does not make the reasoning irrational nor unnatural. Elizabeth specifically cited the language that Lewis used. She accused him of confusing the concepts of “reason”, “cause” and “explanation”.

 

My argument would be subtly different. For a start, I would contend that by ‘reason’, he meant ‘logic’, because drawing conclusions based on cause and effect is logic, even if the causal relations (under consideration) are assumed or implied rather than observed. And here I contend that logic is not a ‘thing’ – it’s not an entity; it’s an action - something we do. In the modern age, machines perform logic; sometimes better than we do.

 

Secondly, I would ask Lewis, does he think reason only happens in humans and not other animals? I would contend that animals also use logic, though without language. I imagine they’d visualise their logic rather than express it in vocal calls. The difference with humans is that we can perform logic at a whole different level, but the underpinnings in our brains are surely the same. Elizabeth was right: not knowing its physical origins does not make it irrational; they are separate issues.

 

Elizabeth had a strong connection to Wittgenstein right up to his death. She worked with him on a translation and edit of Philosophical Investigations, and he bequeathed her a third of his estate and a third of his copyright.

 

It’s apparent from Iris’s diaries and other sources that Elizabeth and Iris fell in love at one point in their friendship, which caused them both a lot of angst and guilt because of their Catholicism. Despite marrying, Iris later had an affair with Pip (Philippa).

 

Despite my discussion of just 2 of Elizabeth’s arguments, I don’t have the level of erudition necessary to address most of the topics that these 4 philosophers published in. Just reading the 4 page Afterwards, it’s clear that I haven’t even brushed the surface of what they achieved. Nevertheless, I have a philosophical perspective that I think finds some resonance with their mutual ideas. 

 

I’ve consistently contended that the starting point for my philosophy is that for each of us individually, there is an inner and outer world. It even dictates the way I approach fiction. 

 

In the latest issue of Philosophy Now (Issue 149, April/May 2022), Richard Oxenberg, who teaches philosophy at Endicott College in Beverly, Massachusetts, wrote an article titled, What Is Truth? wherein he describes an interaction between 2 people, but only from a purely biological and mechanical perspective, and asks, ‘What is missing?’ Well, even though he doesn’t spell it out, what is missing is the emotional aspect. Our inner world is dominated by emotional content and one suspects that this is not unique to humans. I’m pretty sure that other creatures feel emotions like fear, affection and attachment. What’s more I contend that this is what separates, not just us, but the majority of the animal kingdom, from artificial intelligence.

 

But humans are unique, even among other creatures, in our ability to create an inner world every bit as rich as the one we inhabit. And this creates a dichotomy that is reflected in our division of arts and science. There is a passage on page 230 (where the authors discuss R.G. Collingwood’s influence on Mary), and provide an unexpected definition.

 

Poetry, art, religion, history, literature and comedy are all metaphysical tools. They are how metaphysical animals explore, discover and describe what is real (and beautiful and good). (My emphasis.)

 

I thought this summed up what they mean with their coinage, metaphysical animals, which titles the book, and arguably describes humanity’s most unique quality. Descriptions of metaphysics vary and elude precise definition but the word, ‘transcendent’, comes to mind. By which I mean it’s knowledge or experience that transcends the physical world and is most evident in art, music and storytelling, but also includes mathematics in my Platonic worldview.

 

Footnote: I should point out that certain chapters in the book give considerable emphasis to moral philosophy, which I haven’t even touched on, so another reader might well discuss other perspectives.