Plato’s Cave & Social Media

 In a not-so-recent post, I referenced Philosophy Now Issue 165 (Dec 2024/Jan 2025), which had the theme, The Return of God. However, its cover contained a graphic and headline on a completely separate topic: Social Media & Plato’s Cave, hence the title of this post. When you turn to page 34, you come across the essay, written by Sean Radcliffe, which won him “...the 2023 Irish Young Philosopher Awards Grand Prize and Philosopher of Our Time Award. He is now studying Mathematics and Economics at Trinity College, Dublin. Where he is an active member of the University Philosophical Society.” There is a photo of him holding up both awards (in school uniform), so one assumes that 2 years ago he was still at school.
 
I wrote a response to the essay, which was published in the next issue (166), which I post below, complete with edits, which were very minor. The editor added a couple of exclamation marks: at the end of the first and last paragraphs; both of which I’ve removed. Not my style.

They published it under the heading: The Problem is the Media.

I was pleasantly surprised (as I expect were many others) when I learned that the author of Issue 165’s cover article, ‘Plato’s Cave & Social Media’, Seán Radcliffe, won the 2023 Irish Young Philosopher Award Grand Prize and Philosopher of Our Time Award for the very essay you published. Through an analogy with Plato’s Cave, Seán rightfully points out the danger of being ‘chained’ to a specific viewpoint that aligns with a political ideology or conspiracy theory. Are any of us immune? Socrates, via the Socratic dialogue immortalised by his champion Plato, transformed philosophy into a discussion governed by argument, as opposed to prescriptive dogma. In fact, I see philosophy as an antidote to dogma because it demands argument. However, if all dialogue takes place in an echo-chamber, the argument never happens.

Social media allows alternative universes that are not only different but polar opposites. To give an example that arose out of the COVID pandemic: in one universe, the vaccines were saving lives, and in an alternative universe they were bioweapons causing deaths. The 2020 US presidential election created another example of parallel universes that were direct opposites. Climate change is another. In all these cases, which universe one inhabits depends on which source of information one trusts.

Authoritarian governments are well aware that the control of information allows emotional manipulation of the populace. In social media, the most emotive and often most extreme versions of events get the most traction. Plato’s response to tyranny and populist manipulation was to recommend ‘philosopher-kings’, but no one sees that as realistic. I spent a working lifetime in engineering, and I’ve learned that no single person has all the expertise, so we need to trust the people who have the expertise we lack. A good example is the weather forecast. We’ve learned to trust it as it delivers consistently accurate short-term forecasts. But it’s an exception, because news sources are rarely agenda-free.

I can’t see political biases disappearing – in fact, they seem to be becoming more extreme, and the people with the strongest opinions see themselves as the best-informed. Even science can be politicised, as with both the COVID pandemic and with climate change. The answer is not a philosopher-king, but the institutions we already have in place that study climate science and epidemiology. We actually have the expertise; but we don’t listen to it because its proponents are not famous social media influencers.

Mathematics, consciousness, reality

 I wish to emphasise the importance of following and listening to people you disagree with. (I might write another post on the pitfalls of ‘echo-chambers’ in social media, from which I’m not immune.)
 
I’ve been following Donald Hoffman ever since I reviewed an academic paper he wrote with Chetan Prakash called Objects of Consciousness, back in November 2016, though the paper was written in 2014 (so over 10 years ago). Back then, I have to admit, I found it hard to take him seriously, especially his views on evolution, and his go-to metaphor that objective reality was analogous to desktop icons on a computer.
 
His argument is similar to the idea that we live in a computer simulation, though he’s never said that, and I don’t think he believes we do. Nevertheless, he has compared reality to wearing a VR headset, which is definitely analogous to being in a computer simulation. As I have pointed out on other posts, I contend that we do create a model of reality in our ‘heads’, which is so ‘realistic’ that we all think it is reality. The thing is that our very lives depend on it being a very accurate ‘model’, so we can interact with the external reality that does exist outside our heads. This is one of my strongest arguments against Hoffman – reality can kill you, but simulations, including the ones we have when we sleep, which we call dreams, cannot.
 
So I’ve been following Hoffman, at least on YouTube, in the 8 years since I wrote that first critique. I read an article he wrote in New Scientist on evolution (can’t remember the date), which prompted me to write a letter-to-the-Editor, which was published. And whenever I come across him on YouTube: be it in an interview, a panel discussion or straight-to-video; I always watch and listen to what he has to say. What I’ve noticed is that he’s sharpened his scalpel, if I can use that metaphor, and that he’s changed his tack, if not his philosophical position. Which brings me to the reason for writing this post.
 
A year or two ago, I wrote a comment on one of his standalone videos, challenging what he said, and it was subsequently deleted, which is his prerogative. While I was critical, I don’t think I was particularly hostile – the tone was similar to a comment I wrote today on the video that prompted this discussion (see below).
 
Hoffman’s change of tack is not to talk about evolution at all, but spacetime and how it’s no longer ‘fundamental’. This allows him to argue that ‘consciousness’ is more fundamental than spacetime, via the medium of mathematics. And that’s effectively the argument he uses in this video, which, for brevity, I’ve distilled into one succinct sentence.
 
My approach, well known to anyone who regularly follows this blog, is that consciousness and mathematics are just as fundamental to reality as the physical universe, but not in the way that Hoffman argues. I’ve adopted, for better or worse, Roger Penrose’s triumvirate, which he likes to portray in an Escher-like diagram. 

 
I wouldn’t call myself a physicalist when it comes to consciousness, for the simple reason that I don’t believe we can measure it, and despite what Hoffman (and others) often claim, I’m not convinced that it will ever succumb to a mathematical model, in the way that virtually all physical theories do.
 
I left a comment on this video, which was hosted by the ‘Essentia Foundation’, so hopefully, it’s not deleted. Here it is:
 
I agree with him about Godel’s Theorem in its seminal significance to both maths and physics, which is that they are both neverending. However, when he says that ‘reality transcends any mathematical theory’ (3.00) I agree to a point, but I’d argue that mathematics transcends the Universe (known as mathematical Platonism); so in that sense, mathematics transcends reality.
 
The other point, which he never mentions, is that mathematical models of physical phenomena can be wrong – the best example being Ptolemy’s model of the solar system. String theory may well fall into that category – at this stage, we don’t know.
 
When he discusses consciousness being mathematical (4.30): ‘If consciousness is all there is, then mathematical structure is only about consciousness’; which is a premise dressed up as a conclusion, so circular.
 
The problem I’ve always had with Donald Hoffman’s idealism philosophy is that consciousness may exist independently of the Universe; it’s not possible for us to know. But within the Universe itself, evolutionary theory tells us that consciousness came late. Now, I know that he has his own theory of evolution to counter this, but that entails an argument that’s too long to address here.
 
Regarding his argument that spacetime is not fundamental, I know about Nima Arkani-Hamed and his work on amplituhedrons, and to quote: “This is a concrete example of a way in which the physics we normally associate with space-time and quantum mechanics arises from something more basic.” But the something more basic is mathematical, not physical. It’s possible that there was something before spacetime at the very birth of the Universe, but that’s speculative. All our cosmological theories are premised on spacetime.
 
I actually don’t think consciousness can be modelled mathematically, but its neurological underpinnings can, simply because they can be measured. Consciousness itself can’t be measured, only its neurological correlates. In other words, it can’t be measured outside of a brain, which is an object dependent on the Universe’s existence and not the other way round.

God and the problem of evil

 Philosophy Now (UK publication) that I’ve subscribed to for well over a decade now, is a bi-monthly (so 6 times a year) periodical, and it always has a theme. The theme for Dec 2024/Jan 2025 Issue 165 is The Return of God? In actuality, the articles inside covering that theme deal equally with atheism and theism, in quite diverse ways. It was an article titled A Critique of Pure Atheism (obvious allusion to Kant) by Andrew Likoudis that prompted me to write a Letter to the Editor, but I’m getting a little ahead of myself. Likoudis, by the way, is president of the Likoudis Legacy Foundation (an ecumenical research foundation), as well as the editor of 6 books, and studies communications at Towson University, which is in Maryland.
 
More than one article tackles the well-known ‘problem of evil’, and one of them even mentions Stephen Law’s not-so-well-known ‘Evil God’ argument. In the early days of this blog, which goes back 17 years, I spent a fair bit of time on Stephen’s blog where I indulged in discussions and arguments (with mostly other bloggers), most of which focused on atheism. In many of those arguments I found myself playing Devil’s advocate.
 
There is a more fundamental question behind the ‘existence of God’ question, which could be best framed as: Is evil necessary? I wrote a post on Evil very early in the life of this blog, in response to a book written by regular essayist for TIME magazine, Lance Morrow, titled Evil, An Investigation. Basically, I argued that evil is part of our evolutionary heritage, and is mostly, but not necessarily, manifest in our tribal nature, and our almost reflex tendency to demonise an outgroup, especially when things take a turn for the worse, either economically or socially or from a combination thereof. Historical examples abound. Some of the articles in Philosophy Now talk about ‘natural evil’, meaning natural disasters, which in the past (and sometimes in the present) are laid at the feet of God. In fact, so-called ‘acts of God’ have a legal meaning, when it comes to insurance claims and contractual issues (where I have some experience).
 
The thing is that ‘bad things happen’, with or without a God, with or without human agency. The natural world is more than capable of creating disasters, havoc and general destruction, with often fatal consequences. I’ve been reading the many articles in Philosophy Now somewhat sporadically, which is why, so far, I’ve only directly referenced one, being the one I responded to, while readily acknowledging that’s a tad unfair. As far as I can tell, no one mentions the Buddhist doctrine of the 4 Noble Truths, the first of which, basically says that everyone will experience some form of suffering in their lives. Even wealthy people get ill and are prone to diseases and have to deal with loss of loved ones. These experiences alone, are often enough reason for people to turn to religion. I’ve argued repeatedly and consistently that it’s how we deal with adversity that determines what sort of person we become and is what leads to what we call wisdom. It’s not surprising then, that we associate wisdom with age because, the longer one lives, the more adversity we experience and the more we hopefully learn from it.
 
One can’t talk about this without mentioning the role of fiction and storytelling. We are all drawn to stories from the ‘dark side’, which I’ve written about before. As a writer of fiction, I’m not immune to this. I’ve recently been watching a documentary series on the Batman movies, starting with Tim Burton, then Joel Schumacher and finally, Chris Nolan, all of which deal with the so-called dark side of this particular superhero, who is possibly unique among superheroes in flirting with the dark side of that universe. One of the ‘lessons’ gained from watching this doco is that Joel Schumacher’s sequel, Batman & Robin, which arguably attempted to eschew the dark side for a much lighter tone, all but destroyed the franchise. I confess I never saw that movie – I was turned off by the trailer (apparently for good reason). I’m one of those who thinks that Nolan’s The Dark Knight is the definitive Batman movie, with Heath Ledger’s Joker being one of the most iconic villain depictions ever.
 
A detour, but relevant. I’ve noticed that my own fiction has become darker, where I explore dystopian worlds – not unusual in science fiction. I’m reminded of a line from a Leonard Cohen song, ‘There’s a crack in everything; that’s how the light gets in’. I often think that applies to our lives, and it certainly applies to the fiction that I write. I create scenarios of potential doom and oppression, but there is always a light that emerges from somewhere that provides salvation and hope and sometimes redemption. The thing is that we need dark for the light to emerge and that is equally true of life. It’s not hard to imagine life as a test that we have to partake in, and I admit that I find this sometimes being manifest in my dreams as well as my fiction.
 
Having said that, I have an aversion to the idea that there is an afterlife with rewards and punishments dependant on how we live this life. For a start, we are not all tested equally. I only have to look at my father who was tested much more harshly than me, and like me, vehemently eschewed the idea of a God who punished his ‘children’ with everlasting torment. Hell and Heaven, like God himself, are projections when presented in this context: human constructs attempting to make sense of an apparently unjust world; and finding a correspondence in the Buddhist concept of reincarnation and karma, which I also reject. I was brought up with a Christian education, but at some point, I concluded that the biblical God was practically no more moral than the Devil – one only has to look at the story of Job, whom God effectively tortured to win a bet with the Devil.
 
If I can jump back to the previous paragraph before the last, I think we have to live with the consequences of our actions, and I’ve always imagined that I judge my life on my interactions with others rather than my achievements and failures. I don’t see death as an escape or transition, but quite literally an end, where, most significantly, I can no longer affect the world. My own view is that I’m part of some greater whole that not only includes humanity but the greater animal kingdom, and having the unique qualities of comprehension that other creatures don’t have, I have a special responsibility to them for their welfare as well as my own.
 
In this picture, I see God as a projection of my particular ideal, which is not reflected in any culture I’m aware of. I sometime think the Hindu concept of Brahman (also not referenced in Philosophy Now, from what I’ve read thus far) as a collective ‘mind’, which appealed to Erwin Schrodinger, in particular, comes closest to my idea of a God, which would mean that the problem of evil is axiomatically subsumed therein – we get the God we deserve.
 
This is the letter I wrote, which may or may not get published in a future edition:
 
I read with interest Andrew Likoudis’s essay, A Critique of Pure Atheism, because I think, like many (both theists and atheists), he conflates different concepts of God. In fact, as Karen Armstrong pointed out in her book, The History of God, there are 2 fundamentally different paths for believing in God. One path is via a mystical experience and the other path is a cerebral rationalisation of God as the Creator of the Universe and everything in it, which I’d call the prime raison d’etre of existence. In other words, without God there would not only be no universe, but no reason for it to exist. I believe Likoudis’s essay is a formulation of this latter concept, even though he expresses it in different terms.

Likoudis makes the valid point that empirical science is not the correct 'instrument', if I can use that term in this context, for ‘proving’ the existence of God, and for good reason. Raymond Tallis has pointed out, more than once, that science can only really deal with entities that can be measured or quantified, which is why mathematics plays such an important, if not essential, role in a lot of science; and physics, in particular.
 
Metaphysics, almost by definition, is outside the empiricist’s domain. I would argue that this includes consciousness, and despite measurable correlates with neuronal activity, consciousness itself can’t be measured. The only reason we believe someone else (not to mention other creatures) have consciousness is that their observed behaviour is similar to our own. Conscious experience is what we call mind, and mind is arguably the only connection between the Universe and God, which brings us closer to Armstrong’s argument for God based on mystical experience.

So I think the argument for God, as an experience similar to mind, has more resonance for believers than an argument for God as a Creator with mythical underpinnings. A point that Likoudis doesn't mention is that all the Gods of literature and religion have cultural origins, whereas an experience of God is purely subjective and can’t be shared. The idea that this experience of God is also the creator of the entire universe is a non sequitur. However, if one goes back to God being the raison d’etre for the Universe, then maybe God is the end result rather than its progenitor.

 
 
Footnote: I wrote a post back in 2021 in response to AC Grayling’s book, The God Argument, which is really a polemic against theism in general. You can judge for yourself whether my views are consistent or have changed.

Is there a cosmic purpose? Is our part in it a chimera?

 I’ve been procrastinating about writing this post for some time, because it comes closest to a ‘theory’ of Life, the Universe and Everything. ‘Theory’ in this context being a philosophical point of view, not a scientifically testable theory in the Karl Popper sense (it can’t be falsified), but using what science we currently know and interpreting it to fit a particular philosophical prejudice, which is what most scientists and philosophers do even when they don’t admit it.
 
I’ve been watching a lot of YouTube videos, some of which attempt to reconcile science and religion, which could be considered a lost cause, mainly because there is a divide going back to the Dark Ages, which the Enlightenment never bridged despite what some people might claim. One of the many videos I watched was a moderated discussion between Richard Dawkins and Jordan Peterson, which remained remarkably civil, especially considering that Peterson really did go off on flights of fancy (from my perspective), comparing so-called religious ‘truths’ with scientific ‘truths’. I thought Dawkins handled it really well, because he went to pains not to ridicule Peterson, while pointing out fundamental problems with such comparisons.
 
I’m already going off on tangents I never intended, but I raise it because Peterson makes the point that science actually arose from the Judea-Christian tradition – a point that Dawkins didn’t directly challenge, but I would have. I always see the modern scientific enterprise, if I can call it that, starting with Copernicus, Galileo and Kepler, but given particular impetus by Newton and his contemporary and rival, Leibniz. It so happens that they all lived in Europe when it was dominated by Christianity, but the real legacy they drew on was from the Ancient Greeks with a detour into Islam where it acquired Hindu influences, which many people conveniently ignore. In particular, we adopted Hindu-Arabic arithmetic, incorporating zero as a decimal place-marker, without which physics would have been stillborn.
 
Christianity did its best to stop the scientific enterprise: for example, when it threatened Galileo with the inquisition and put him under house arrest. Modern science evolved despite Christianity, not because of it. And that’s without mentioning Darwin’s problems, which still has ramifications today in the most advanced technological nation in the world.
 
A lengthy detour, but only slightly off-topic. There is a mystery at the heart of everything on the very edge of our scientific understanding of the world that I believe is best expressed by Paul Davies, but was also taken up by Stephen Hawking, of all people, towards the end of his life. I say, ‘of all people’, because Hawking was famously sceptical of the role of philosophy, yet, according to his last collaborator, Thomas Hertog, he was very interested in the so-called Big Questions, and like Davies, was attracted to John Wheeler’s idea of a cosmic-scale quantum loop that attempts to relate the end result of the Universe to its beginning.
 
Implicit in this idea is that the Universe has a purpose, which has religious connotations. So I want to make that point up front and add that there is No God Required. I agree with Davies that science neither proves nor disproves the existence of God, which is very much a personal belief, independent of any rationalisation one can make.
 
I wrote a lengthy post on Hawking’s book, The Grand Design, back in 2020 (which he cowrote with Leonard Mlodinow). I will quote from that post to highlight the point I raised 2 paragraphs ago: the link between present and past.
 
Hawking contends that the ‘alternative histories’ inherent in Feynman’s mathematical method, not only affect the future but also the past. What he is implying is that when an observation is made it determines the past as well as the future. He talks about a ‘top down’ history in lieu of a ‘bottom up’ history, which is the traditional way of looking at things. In other words, cosmological history is one of many ‘alternative histories’ (his terminology) that evolve from QM.
 
Then I quote directly from Hawking’s text:
 
This leads to a radically different view of cosmology, and the relation between cause and effect. The histories that contribute to the Feynman sum don’t have an independent existence, but depend on what is being measured. We create history by our observation, rather than history creating us (my emphasis).
 
One can’t contemplate this without considering the nature of time. There are in fact 2 different experiences we have of time, and that has created debate among physicists as well as philosophers. The first experience is simply observational. Every event with a causal relationship that is separated by space is axiomatically also separated by time, and this is a direct consequence of the constant speed of light. If this wasn’t the case, then everything would literally happen at once. So there is an intrinsic relationship between time and light, which Einstein had the genius to see: was not just a fundamental law of the Universe; but changed perceptions of time and space for different observers. Not only that, his mathematical formulations of this inherent attribute, led him to the conclusion that time itself was fluid, dependent on an observer’s motion as well as the gravitational field in which they happened to be.
 
I’m going to make another detour because it’s important and deals with one of the least understood aspects of physics. One of the videos I watched that triggered this very essay was labelled The Single Most Important Experiment in Physics, which is the famous bucket experiment conducted by Newton, which I’ve discussed elsewhere. Without going into details, it basically demonstrates that there is a frame of reference for the entire universe, which Newton called absolute space and Einstein called absolute spacetime. Penrose also discusses the importance of this concept, because it means that all relativistic phenomena take place against a cosmic background. It’s why we can determine the Earth’s velocity with respect to the entire universe by measuring the Doppler shift against the CMBR (cosmic microwave background radiation).
 
Now, anyone with even a rudimentary knowledge of relativity theory knows that it’s not just time that’s fluid but also space. But, as Kip Thorne has pointed out, mathematically we can’t tell if it’s the space that changes in dimension or the ruler used to measure it. I’ve long contended that it’s the ruler, which can be the clock itself. We can use a clock to measure distance and if the clock changes, which relativity tell us it does, then it’s going to measure a different distance to a stationary observer. By stationary, I mean one who is travelling at a lesser speed with respect to the overall CMBR.
 
So what is the other aspect of time that we experience? It’s the very visceral sensation we all have that time ‘flows’, because we all ‘sense’ its ‘passing’. And this is the most disputed aspect of time, that many physicists tell us is an illusion, including Davies. Some, like Sabine Hossenfelder, are proponents of the ‘block universe’, first proposed by Einstein, whereby the future already exists like the past, which is why both Hossenfelder and Einstein believed in what is now called superdeterminism – everything is predetermined in advance – which is one of the reasons that Einstein didn’t like the philosophical ramifications of quantum mechanics (I’ll get to his ‘spooky action at a distance’ later).
 
Davies argues that the experience of time passing is a psychological phenomenon and the answer will be found in neuroscience, not physics. And this finally brings consciousness into the overall scheme of things. I’ve argued elsewhere that, without consciousness, the Universe has no meaning and no purpose. Since that’s the point of this dissertation, it can be summed up with an aphorism from Wheeler.
 
The Universe gave rise to consciousness and consciousness gives the Universe meaning.
 
I like to cite Schrodinger from his lectures on Mind and Matter appended to his tome, What is Life? Consciousness exists in a constant present, and I argue that it’s the only thing that does (the one possible exception is a photon of light, for which time is zero). As I keep pointing out, this is best demonstrated every time someone takes a photo: it freezes time, or more accurately, it creates an image frozen in time; meaning it’s forever in our past, but so is the event that it represents.
 
The flow of time we all experience is a logical consequence of this. In a way, Davies is right: it’s a neurological phenomenon, in as much as consciousness seems to ‘emerge’ from neuronal activity. But I’m not sure Davies would agree with me – in fact, I expect he wouldn’t.
 
Those who have some familiarity with my blog, may see a similarity between these 2 manifestations of time and my thesis on Type A time and Type B time (originally proposed by J.M.E. McTaggart, 1906); the difference between them, in both cases, being the inclusion of consciousness.
 
Now I’m going to formulate a radical idea, which is that in Type B time (the time without consciousness), the flow of time is not experienced but there are chains of causal events. And what if all the possible histories are all potentially there in the same way that future possible histories are, as dictated by Feynman’s model. And what if the one history that we ‘observe’, going all the way back to the pattern in the CMBR (our only remnant relic of the Big Bang), only became manifest when consciousness entered the Universe. And when I say ‘entered’ I mean that it arose out of a process that had evolved. Davies, and also Wheeler before him, speculated that the ‘laws’ of nature we observe have also evolved as part of the process. But what if those laws only became frozen in the past when consciousness finally became manifest. This is the backward-in-time quantum loop that Wheeler hypothesised.
 
I contend that QM can only describe the future (an idea espoused by Feynman’s collaborator, Freeman Dyson), meaning that Schrodinger’s equation can only describe the future, not the past. Once a ‘measurement’ is made, it no longer applies. Penrose explains this best, and has his own argument that the ‘collapse’ of the wave function is created by gravity. Leaving that aside, I argue that the wave function only exists in our future, which is why it’s never observed and why Schrodinger’s equation can’t be applied to events that have already happened. But what if it was consciousness that finally determined which of many past paths became the reality we observe. You can’t get more speculative than that, but it provides a mechanism for Wheeler’s ‘participatory universe’ that both Davies and Hawking found appealing.
 
I’m suggesting that the emergence of consciousness changed the way time works in the Universe, in that the past is now fixed and only the future is still open.
 
Another video I watched also contained a very radical idea, which is that spacetime is created like a web into the future (my imagery). The Universe appears to have an edge in time but not in space, and this is rarely addressed. It’s possible that space is being continually created with the Universe’s expansion – an idea explored by physicist, Richard Muller – but I think it’s more likely that the Universe is Euclidean, meaning flat, but bounded. We may never know.
 
But if the Universe has an edge in time, how does that work? I think the answer is quantum entanglement, though no one else does. Everyone agrees that entanglement is non-local, meaning it’s not restricted by the rules of relativity, and it’s not spatially dependent. I speculate that quantum entanglement is the Universe continually transitioning from a quantum state to a classical physics state. This idea is just as heretical as the one I proposed earlier, and while Einstein would call it ‘spooky action at a distance’, it makes sense, because in quantum cosmology, time mathematically disappears. And it disappears because you can’t ‘see’ the future of the Universe, even in principle.

Addendum 1: This excerpt from a panel discussion shows how this debate is unresolved even among physicists. The first speaker, Avshalom Elitzur (who is also referenced in one of the videos linked in the 2nd last paragraph of the main text) probably comes closest to expressing my viewpoint.

In effect, he describes what I expound on in my post, though I'm sure he wouldn't agree with my more radical ideas - the role of consciousness and that entanglement is intrinsically linked to the edge of time for the whole universe. However, he does say, 'In some profound way the future does not exist'. 

Addendum 2: I came across this article in New Scientist, which you might not be able to access if you're not a subscriber (I have an online subscription). Basically, the author, Karmela Padavic-Callaghan, argues that 'classical time' arises from quantum 'entanglement', citing Alessandro Coppo. To quote:

This may mean that if we perceive the passage of time, then there is some entanglement woven into the physical world. And an observer in a universe devoid of entanglement – as some theories suggest ours was at its very beginning – would have seen nothing change. Everything would be static.

Why are we addicted to stories involving struggle?

This is something I’ve written about before, so what can I possibly add? Sometimes the reframing of a question changes the emphasis. In this case, I wrote a post on Quora in response to a fairly vague question, which I took more seriously than the questioner probably expected. As I said, I’ve dealt with these themes before, but adding a very intimate family story adds emotional weight. It’s a story I’ve related before, but this time I elaborate in order to give it the significance I feel it deserves.
 
What are some universal themes in fiction?
 
There is ONE universal theme that’s found virtually everywhere, and its appeal is that it provides a potential answer to the question: What is the meaning of life?

In virtually every story that’s been told, going as far back as Homer’s Odyssey and up to the latest superhero movie, with everything else in between (in the Western canon, at least), you have a protagonist who has to deal with obstacles, hardships and tribulations. In other words, they are tested, often in extremis, and we all take part vicariously to the point that it becomes an addiction.

There is a quote from the I Ching, which I think sums it up perfectly.

Adversity is the opposite of success, but it can lead to success if it befalls the right person.

Most of us have to deal with some form of adversity in life; some more so than others. And none of us are unaffected by it. Socrates’ most famous saying: The unexamined life is not worth living; is a variation on this theme. He apparently said it when he was forced to face his death; the consequences of actions he had deliberately taken, but for which he refused to show regret.

And yes, I think this is the meaning of life, as it is lived. It’s why we expect to become wiser as we get older, because wisdom comes from dealing with adversity, whether it ultimately leads to success or not.

When I write a story, I put my characters through hell, and when they come out the other side, they are invariably wiser if not triumphant. I’ve had characters make the ultimate sacrifice, just like Socrates, because they would prefer to die for a principle than live with shame.

None of us know how we will behave if we are truly tested, though sometimes we get a hint in our dreams. Stories are another way of imagining ourselves in otherwise unimaginable situations. My father is one who was tested firsthand in battle and in prison. The repercussions were serious, not just for him, but for those of us who had to live with him in the aftermath.

He had a recurring dream where there was someone outside the house whom he feared greatly – it was literally his worst nightmare. One night he went outside and confronted them, killing them barehanded. He told me this when I was much older, naturally, but it reminded me of when Luke Skywalker confronted his doppelganger in The Empire Strikes Back. I’ve long argued that the language of stories is the language of dreams. In this case, the telling of my father’s dream reminded me of a scene from a movie that made me realise it was more potent than I’d imagined.

I’m unsure how my father would have turned out had he not faced his demon in such a dramatic and conclusive fashion. It obviously had a big impact on him; he saw it as a form of test, which he believed he’d ultimately passed. I find it interesting that it was not something he confronted the first time he was made aware of it – it simply scared him to death. Stories are surrogate dreams; they serve the same purpose if they have enough emotional force.

Life itself is a test that we all must partake in, and stories are a way of testing ourselves against scenarios we’re unlikely to confront in real life.

The role of dissonance in art, not to mention science and mathematics

 I was given a book for a birthday present just after the turn of the century, titled A Terrible Beauty; The People and Ideas that Shaped the Modern Mind, by Peter Watson. A couple of things worth noting: it covers the history of the 20th Century, but not geo-politically as you might expect. Instead, he writes about the scientific discoveries alongside the arts and cultural innovations, and he talks about both with equal erudition, which is unusual.
 
The reason I mention this, is because I remember Watson talking about the human tendency to push something to its limits and then beyond. He gave examples in science, mathematics, art and music. A good example in mathematics is the adoption of √-1 (giving us ‘imaginary numbers’), which we are taught is impossible, then suddenly it isn’t. The thing is that it allows us to solve problems that were previously impossible in the same way that negative numbers give solutions to arithmetical subtractions that were previously unanswerable. There were no negative numbers in ancient Greece because their mathematics was driven by geometry, and the idea of a negative volume or area made no sense.
 
But in both cases: negative numbers and imaginary numbers; there is a cognitive dissonance that we have to overcome before we can gain familiarity and confidence in using them, or even understanding what they mean in the ‘real world’, which is the problem the ancient Greeks had. Most people reading this have no problem, conceptually, dealing with negative numbers, because, for a start, they’re an integral aspect of financial transactions – I suspect everyone reading this above a certain age has had experience with debt and loans.
 
On the other hand, I suspect a number of readers struggle with a conceptual appreciation of imaginary numbers. Some mathematicians will tell you that the term is a misnomer, and its origin would tend to back that up. Apparently, Rene Descartes coined the term, disparagingly, because, like the ancient Greek’s problem with negative numbers, he believed they had no relevance to the ‘real world’. And Descartes would have appreciated their usefulness in solving problems previously unsolvable, so I expect it would have been a real cognitive dissonance for him.
 
I’ve written an entire post on imaginary numbers, so I don’t want to go too far down that rabbit hole, but I think it’s a good example of what I’m trying to explicate. Imaginary numbers gave us something called complex algebra and opened up an entire new world of mathematics that is particularly useful in electrical engineering. But anyone who has studied physics in the last century is aware that, without imaginary numbers, an entire field of physics, quantum mechanics, would remain indescribable, let alone be comprehensible. The thing is that, even though most people have little or no understanding of QM, every electronic device you use depends on it. So, in their own way, imaginary numbers are just as important and essential to our lives as negative numbers are.
 
You might wonder how I deal with the cognitive dissonance that imaginary numbers induce. In QM, we have, at its most rudimentary level, something called Schrodinger’s equation, which he proposed in 1926 (“It’s not derived from anything we know,” to quote Richard Feynman) and Schrodinger quickly realised it relied on imaginary numbers – he couldn’t formulate it without them. But here’s the thing: Max Born, a contemporary of Schrodinger, formulated something we now call the Born rule that mathematically gets rid of the imaginary numbers (for the sake of brevity and clarity, I’ll omit the details) and this gives the probability of finding the object (usually an electron) in the real world. In fact, without the Born rule, Schrodinger’s equation is next-to-useless, and would have been consigned to the dustbin of history.
 
And that’s relevant, because prior to observing the particle, it’s in a superposition of states, described by Schrodinger’s equation as a wave function (Ψ), which some claim is a mathematical fiction. In other words, you need to get rid (clumsy phrasing, but accurate) of the imaginary component to make it relevant to the reality we actually see and detect. And the other thing is that once we have done that, the Schrodinger equation no longer applies – there is effectively a dichotomy between QM and classical physics (reality), which is called the 'measurement problem’. Roger Penrose gives a good account in this video interview. So, even in QM, imaginary numbers are associated with what we cannot observe.
 
That was a much longer detour than I intended, but I think it demonstrates the dissonance that seems necessary in science and mathematics, and arguably necessary for its progress; plus it’s a good example of the synergy between them that has been apparent since Newton.
 
My original intention was to talk about dissonance in music, and the trigger for this post was a YouTube video by musicologist, Rick Beato (pronounced be-arto), dissecting the Beatles song, Ticket to Ride, which he called, ‘A strange but perfect song’. In fact, he says, “It’s very strange in many ways: it’s rhythmically strange; it’s melodically strange too”. I’ll return to those specific points later. To call Beato a music nerd is an understatement, and he gives a technical breakdown that quite frankly, I can’t follow. I should point out that I’ve always had a good ‘ear’ that I inherited, and I used to sing, even though I can’t read music (neither could the Beatles). I realised quite young that I can hear things in music that others miss. Not totally relevant, but it might explain some things that I will expound upon later.
 
It's a lengthy, in-depth analysis, but if you go to 4.20-5.20, Beato actually introduces the term ‘dissonance’ after he describes how it applies. In effect, there is a dissonance between the notes that John Lennon sings and the chords he plays (on a 12-string guitar). And the thing is that we, the listener, don’t notice – someone (like Beato) has to point it out. Another quote from 15.00: “One of the reasons the Beatles songs are so memorable, is that they use really unusual dissonant notes at key points in the melody.”
 
The one thing that strikes you when you first hear Ticket to Ride is the unusual drum part. Ringo was very inventive and innovative, and became more adventurous, along with his bandmates, on later recordings. The Ticket to Ride drum part has become iconic: everyone knows it and recognises it. There is a good video where Ringo talks about it, along with another equally famous drum part he created. Beato barely mentions it, though right at the beginning, he specifically refers to the song as being ‘rhythmically strange’.
 
A couple of decades ago, can’t remember exactly when, I went and saw an entire Beatles concert put on by a rock band, augmented by orchestral strings and horn parts. It was in 2 parts with an intermission, and basically the 1st half was pre-Sergeant Pepper and the 2nd half, post. I can still remember that they opened the concert with Magical Mystery Tour and it blew me away. The thing is that they went to a lot of trouble to be faithful to the original recordings, and I realised that it was the first time I’d heard their music live, albeit with a cover band. And what immediately struck me was the unusual harmonics and rhythms they employed. Watching Beato’s detailed technical analysis puts this into context for me.
 
Going from imaginary numbers and quantum mechanics to one of The Beatles most popular songs may seem like a giant leap, but it highlights how dissonance is a universal principle for humans, and intrinsic to progression in both art and science.
 
Going back to Watson’s book that I reference in the introduction, another obvious example that he specifically talks about is Picasso’s cubism.
 
In storytelling, it may not be so obvious, and I think modern fiction has been influenced more by cinema than anything else, where the story needs to be more immediate and it needs to flow with minimal description. There is now an expectation that it puts you in the story – what we call immersion.
 
On another level, I’ve noticed a tendency on my part to create cognitive dissonance in my characters and therefore the reader. More than once, I have combined sexual desire with fear, which some may call perverse. I didn’t do this deliberately – a lot of my fiction contains elements I didn’t foresee. Maybe it says something about my own psyche, but I honestly don’t know.