Common sense; uncommonly agreed upon

 The latest New Scientist (28 Sep., 2024) had an article headlined Uncommon Sense, written by Emma Young (based in Sheffield, UK) which was primarily based on a study done by Duncan Watts and Mark Whiting at the University of Pennsylvania. I wasn’t surprised to learn that ‘common sense’ is very subjective, although she pointed out that most people think the opposite: that it’s objective. I’ve long believed that common sense is largely culturally determined, and in many cases, arises out of confirmation bias, which the article affirmed with references to the recent COVID pandemic and the polarised responses this produced; where one person’s common sense was another person’s anathema.
 
Common sense is something we mostly imbibe through social norms, though experience tends to play a role long term. Common sense is often demonstrated, though not expressed, as a heuristic, where people with expertise develop heuristics that others outside their field wouldn’t even know about. This is a point I’ve made before, without using the term common sense. In other words, common sense is contextual in a way that most of us don’t consider.
 
Anyone with an interest in modern physics (like myself) knows that our common sense views on time and space don’t apply in the face of Einstein’s relativity theory. In fact, it’s one of the reasons that people struggle with it (Including me). Quantum mechanics with phenomena like superposition, entanglement and Heisenberg’s Uncertainty Principle also play havoc with our ‘common sense’ view of the world. But this is perfectly logical when one considers that we never encounter these ‘effects’ in our everyday existence, so they can be largely, if not completely, ignored. The fact that the GPS on your phone requires relativistic corrections and that every device you use (including said phone) are dependent on QM dynamics doesn’t change this virtually universal viewpoint.
 
I’ve just finished reading an excellent, albeit lengthy, book by Philip Ball titled ambitiously, if not pretentiously, The Book of Minds. I can honestly say it’s the best book I’ve read on the subject, but that’s a topic for a future post. The reason I raise it in this context, is because throughout I kept using AI as a reference point for appreciating what makes minds unique. You see, AI comes closest to mimicking the human mind, yet it’s nowhere near it, though others may disagree. As I said, it’s a topic for another post.
 
I remember coming up with my own definition of common sense many years ago, when I saw it as something that evolves over time, based on experience. I would contend that our common sense view on a subject changes, whether it be through the gaining of expertise in a specific field (as I mentioned above) or just our everyday encounters. A good example, that most of us can identify with, is driving a car. Notice how, over time, we develop skills and behaviours that have helped us to avoid accidents, some of which have arisen because of accidents.
 
And a long time ago, before I became a blogger, and didn’t even consider myself a philosopher, it occurred to me that AI could also develop something akin to common sense based on learning from its mistakes. Self-driving cars being a case-in-point.
 
According to the New Scientist article, the researchers, Watts and Whiting, claim that there is no correlation between so-called common sense and IQ. Instead, they contend that there is a correlation between a ‘consensual common sense’ (my term) and ‘Reading the Mind in the Eyes’ (their terminology). In other words, the ability to ‘read’ emotions is a good indicator for the ability to determine what’s considered ‘common sense’ for the majority of a cultural group (if I understand them correctly). This infers that common sense is a consensual perception, based on cultural norms, which is what I’ve always believed. This might be a bit simplistic, and an example of confirmation bias (on my part), but I’d be surprised if common sense didn’t morph between cultures in the same way it becomes modified by expertise in a particular field. So the idea of a universal, objective common sense is as much a chimera as objective morality, which is also more dependent on social norms than most people acknowledge.
 
 
Footnote: it’s worth reading the article in New Scientist (if accessible), because it provides a different emphasis and a different perspective, even though it largely draws similar conclusions to myself.

Prima Facie; the play

 I went and saw a film made of a live performance of this highly rated play, put on by the National Theatre at the Harold Pinter Theatre in London’s West End in 2022. It’s a one-hander, played by Jodie Comer, best known as the quirky assassin with a diabolical sense of humour, in the black comedy hit, Killing Eve. I also saw her in Ridley Scott’s riveting and realistically rendered film, The Last Duel, set in mediaeval France, where she played alongside Matt Damon, Adam Driver and an unrecognisable Ben Affleck. The roles that Comer played in those 2 screen mediums, couldn’t be more different.
 
Theatre is more unforgiving than cinema, because there are no multiple takes or even a break once the curtain’s raised; a one-hander, even more so. In the case of Prima Facie, Comer is on the stage a full 90mins, and even does costume-changes and pushing around her own scenery unaided, without breaking stride. It’s such a tour de force performance, as the Financial Times put it; I’d go so far as to say it’s the best acting performance I’ve ever witnessed by anyone. It’s such an emotionally draining role, where she cries and even breaks into a sweat in one scene, that I marvel she could do it night-after-night, as I assume she did.
 
And I’ve yet to broach the subject matter, which is very apt, given the me-too climate, but philosophically it goes deeper than that. The premise for the entire play, which is even spelt out early on, in case you’re not paying attention, is the difference between truth and justice, and whether it matters. Comer’s character, Tessa, happens to experience it from both sides, which is what makes this so powerful.
 
She’s a defence barrister, who specialises in sexual-assault cases, where, as she explains very early on, effectively telling us the rules of the game: no one wins or loses; you either come first or second. In other words, the barristers and those involved in the legal profession, don’t see the process the same way that you and I do, and I can understand that – to get emotionally involved makes it very stressful.

In fact, I have played a small role in this process in a professional capacity, so I’ve seen this firsthand. But I wasn’t dealing with rape cases or anything involving violence, just contractual disputes where millions of dollars could be at stake. My specific role was to ‘prepare evidence’ for lawyers for either a claim or the defence of a claim or possibly a counter-claim, and I quickly realised the more dispassionate one is, the more successful one is likely to be. I also realised that the lawyers I was supporting in one case could be on the opposing side in the next one, so you don’t get personal.
 
So, I have a small insight into this world, and can appreciate why they see it as a game, where you ‘win or come second’. But in Prima Facie, Tess goes through this very visceral and emotionally scarifying transformation where she finds herself on the receiving end, and it’s suddenly very personal indeed.
 
Back in 2015, I wrote a mini-400-word essay, in answer to one of those Question of the Month topics that Philosophy Now like to throw open to amateur wannabe philosophers, like myself. And in this case, it was one that was selected for publication (among 12 others), from all around the Western globe. I bring this up, because I made the assertion that ‘justice without truth is injustice’, and I feel that this is really what Prima Facie is all about. At the end of the play, with Tess now having the perspective of the victim (there is no other word), it does become a matter of winning or losing, because, not only her career and future livelihood, but her very dignity, is now up for sacrifice.
 
I watched a Q&A programme on Australia’s ABC some years ago, where this issue was discussed. Every woman on the panel, including one from the righteous right (my coinage), had a tale to tell about discrimination or harassment in a workplace situation. But the most damming testimony came from a man, who specialised in representing women in sexual assault cases, and he said that in every case, their doctors tell them not to proceed because it will destroy their health; and he said: they’re right. I was reminded of this when I watched this play.
 
One needs to give special mention to the writer, Suzie Miller, who is an Aussie as it turns out, and as far as 6 degrees of separation go, I happen to know someone who knows her father. Over 5 decades I’ve seen some very good theatre, some of it very innovative and original. In fact, I think the best theatre I’ve seen has invariably been something completely different, unexpected and dare-I-say-it, special. I had a small involvement in theatre when I was still very young, and learned that I couldn’t act to save myself. Nevertheless, my very first foray into writing was an attempt to write a play. Now, I’d say it’s the hardest and most unforgiving medium of storytelling to write for. I had a friend who was involved in theatre for some decades and even won awards. She passed a couple of years ago and I miss her very much. At her funeral, she was given a standing ovation, when her coffin was taken out; it was very moving. I can’t go to a play now without thinking about her and wishing I could discuss it with her.

Science and religion meet at the boundary of humanity’s ignorance

 I watched a YouTube debate (90 mins) between Sir Roger Penrose and William Lane Craig, and, if I’m honest, I found it a bit frustrating because I wish I was debating Craig instead of Penrose. I also think it would have been more interesting if Craig debated someone like Paul Davies, who is more philosophically inclined than Penrose, even though Penrose is more successful as a scientist, and as a physicist, in particular.
 
But it was set up as an atheist versus theist debate between 2 well known personalities, who were mutually respectful and where there was no animosity evident at all. I confess to having my own biases, which would be obvious to any regular reader of this blog. I admit to finding Craig arrogant and a bit smug in his demeanour, but to be fair, he was on his best behaviour, and perhaps he’s matured (or perhaps I have) or perhaps he adapts to whoever he’s facing. When I call it a debate, it wasn’t very formal and there wasn’t even a nominated topic. I felt the facilitator or mediator had his own biases, but I admit it would be hard to find someone who didn’t.
 
Penrose started with his 3 worlds philosophy of the physical, the mental and the abstract, which has long appealed to me, though most scientists and many philosophers would contend that the categorisation is unnecessary, and that everything is physical at base. Penrose proposed that they present 3 mysteries, though the mysteries are inherent in the connections between them rather than the categories themselves. This became the starting point of the discussion.
 
Craig argued that the overriding component must surely be ‘mind’, whereas Penrose argued that it should be the abstract world, specifically mathematics, which is the position of mathematical Platonists (including myself). Craig pointed out that mathematics can’t ‘create’ the physical, (which is true) but a mind could. As the mediator pointed out (as if it wasn’t obvious) said mind could be God. And this more or less set the course for the remainder of the discussion, with a detour to Penrose’s CCC theory (Conformal Cyclic Cosmology).
 
I actually thought that this was Craig’s best argument, and I’ve written about it myself, in answer to a question on Quora: Did math create the Universe? The answer is no, nevertheless I contend that mathematics is a prerequisite for the Universe to exist, as the laws that allowed the Universe to evolve, in all its facets, are mathematical in nature. Note that this doesn’t rule out a God.
 
Where I would challenge Craig, and where I’d deviate from Penrose, is that we have no cognisance of who this God is or even what ‘It’ could be. Could not this God be the laws of the Universe themselves? Penrose struggled with this aspect of the argument, because, from a scientific perspective, it doesn’t tell us anything that we can either confirm or falsify. I know from previous debates that Craig has had, that he would see this as a win. A scientist can’t refute his God’s existence, nor can they propose an alternative, therefore it’s his point by default.
 
This eventually led to a discussion on the ‘fine-tuning’ of the Universe, which in the case of entropy, is what led Penrose to formulate his CCC model of the Universe. Of course, the standard alternative is the multiverse and the anthropic principle, which, as Penrose points out, is also applicable to his CCC model, where you have an infinite sequence of universes as opposed to an infinity of simultaneous ones, which is the orthodox response among cosmologists.
 
This is where I would have liked to have seen Paul Davies respond, because he’s an advocate of John Wheeler’s so-called ‘participatory Universe’, which is effectively the ‘strong anthropic principle’ as opposed to the ‘weak anthropic principle’. The weak anthropic principle basically says that ‘observers’ (meaning us) can only exist in a universe that allows observers to exist – a tautology. Whereas the strong anthropic principle effectively contends that the emergence of observers is a necessary condition for the Universe to exist (the observers don’t have to be human). Basically, Wheeler was an advocate of a cosmic, acausal (backward-in-time) link from conscious observers to the birth of the Universe. I admit this appeals to me, but as Craig would expound, it’s a purely metaphysical argument, and so is the argument for God.
 
The other possibility that is very rarely expressed, is that God is the end result of the Universe rather than its progenitor. In other words, the ‘mind’ that Craig expounded upon is a consequence of all of us. This aligns more closely with the Hindu concept of Atman or a Buddhist concept of collective karma – we get the God we deserve. Erwin Schrodinger, who studied the Upanishads, discusses Atman as a pluralistic ‘mind’ (in What is Life?). My point would be that the Judea-Christian-Islamic God does not have a monopoly on Craig’s overriding ‘mind’ concept.
 
A recurring theme on this blog is that there will always be mysteries – we can never know everything – and it’s an unspoken certitude that there will forever be knowledge beyond our cognition. The problem that scientists sometimes have, but are reluctant to admit, is that we can’t explain everything, even though we keep explaining more by the generation. And the problem that theologians sometimes have is that our inherent ignorance is neither ‘proof’ nor ‘evidence’ that there is a ‘creator’ God.
 
I’ve argued elsewhere that a belief in God is purely a subjective and emotional concept, which one then rationalises with either cultural references or as an ultimate explanation for our existence.

Addendum: I like this quote, albeit out of context, from Spinoza:: "The sum of the natural and physical laws of the universe and certainly not an individual entity or creator".

How scale demonstrates that mathematics is intrinsically entailed in the Universe

 I momentarily contemplated another title: Is the Planck limit an epistemology or an ontology? Because that’s basically the topic of a YouTube video that’s the trigger for this post. I wrote a post some time ago where I discussed whether the Universe is continuous or discrete, and basically concluded that it was continuous. Based on what I’ve learned from this video, I might well change my position. But I should point out that my former opposition was based more on the idea that it could be quantised into ‘bits’ of information, whereas now I’m willing to acknowledge that it could be granular at the Planck scale, which I’ll elaborate on towards the end. I still don’t think that the underlying reality of the Universe is in ‘bits’ of information, therefore potentially created and operated by a computer.
 
Earlier this year, I discussed the problem of reification of mathematics so I want to avoid that if possible. By reification, I mean making a mathematical entity reality. Basically, physics works by formulating mathematical models that we then compare to reality through observations. But as Freeman Dyson pointed out, the wave function (Ψ), for example, is a mathematical entity and not a physical entity, which is sometimes debated. The fact is that if it does exist physically, it’s never observed, and my contention is that it ‘exists’ in the future; a view that is consistent with Dyson’s own philosophical viewpoint that QM can only describe the future and not the past.
 
And this brings me to the video, which has nothing to say about wave functions or reified mathematical entities, but uses high school mathematics to explore such esoteric and exotic topics as black holes and quantum gravity. There is one step involving integral calculus, which is about as esoteric as the maths becomes, and if you allow that 1/∞ = 0, it leads to the formula for the escape velocity from any astronomical body (including Earth). Note that the escape velocity literally allows an object to escape a gravitational field to infinity (∞). And the escape velocity for a black hole is c (the speed of light).
 
All the other mathematics is basic algebra using some basic physics equations, like Newton’s equation for gravity, Planck’s equation for energy, Heisenberg’s Uncertainty Principle using Planck’s Constant (h), Einstein’s famous equation for the equivalence of energy and mass, and the equation for the Coulomb Force between 2 point electric charges (electrons). There is also the equation for the Schwarzschild radius of a black hole, which is far easier to derive than you might imagine (despite the fact that Schwarzschild originally derived it from Einstein’s field equations).
 
Back in May 2019, I wrote a post on the Universe’s natural units, which involves the fundamental natural constants, h, c and G. This was originally done by Planck himself, which I describe in that post, while providing a link to a more detailed exposition. In the video (embedded below), the narrator takes a completely different path to deriving the same Planck units before describing a method that Planck himself would have used. In so doing, he explains how at the Planck level, space and time are not only impossible to observe, even in principle, but may well be impossible to remain continuous in reality. You need to watch the video, as he explains it far better than I can, just using high school mathematics.
 
Regarding the title I chose for this post, Roger Penrose’s Conformal Cyclic Cosmology (CCC) model of the Universe, exploits the fact that a universe without matter (just radiation) is scale invariant, which is essential for the ‘conformal’ part of his theory. However, that all changes when one includes matter. I’ve argued in other posts that different forces become dominant at different scales, from the cosmological to the subatomic. The point made in this video is that at the Planck scale all the forces, including gravity, become comparable. Now, as I pointed out at the beginning, physics is about applying mathematical models and comparing them to reality. We can’t, and quite possibly never will, be able to observe reality at the Planck scale, yet the mathematics tells us that it’s where all the physics we currently know is compatible. It tells me that not only is the physics of the Universe scale-dependent, but it's also mathematically dependent (because scale is inherently mathematical). In essence, the Universe’s dynamics are determined by mathematical parameters at all scales, including the Planck scale.
 
Note that the mathematical relationships in the video use ~ not = which means that they are approximate, not exact. But this doesn’t detract from the significance that 2 different approaches arrive at the same conclusion, which is that the Planck scale coincides with the origin of the Universe incorporating all forces equivalently.
 
 
Addendum: I should point out that Viktor T Toth, who knows a great deal more about this than me, argues that there is, in fact, no limit to what we can measure in principle. Even the narrator in the video frames his conclusion cautiously and with caveats. In other words, we are in the realm of speculative physics. Nevertheless, I find it interesting to contemplate where the maths leads us.

When truth becomes a casualty, democracy is put at risk

 You may know of Raimond Gaita as the author of Romulus, My Father, a memoir of his childhood, as the only child of postwar European parents growing up in rural Australia. It was turned into a movie directed by Richard Roxborough (his directorial debut) and starring Eric Bana. What you may not know is that Raimond Gaita is also a professor of philosophy who happens to live in the same metropolis as me, albeit in different suburbs.
 
I borrowed his latest tome, Justice and Hope; Essays, Lectures and Other Writings, from my local library (published last year, 2023), and have barely made a dent in the 33 essays, unequally divided into 6 parts. So far, I’ve read the 5 essays in Part 1: An Unconditional Love of the World, and just the first essay of Part 2: Truth and Judgement, which is titled rather provocatively, The Intelligentsia in the Age of Trump. Each essay heading includes the year it was written, and the essay on the Trump phenomenon (my term, not his) was written in 2017, so after Trump’s election but well before his ignominious attempt to retain power following his election defeat in 2020. And, of course, he now has more stature and influence than ever, having just won the Presidential nomination from the Republican Party for the 2024 election, which is only months away as I write.
 
Gaita doesn’t write like an academic in that he uses plain language and is not afraid to include personal anecdotes if he thinks they’re relevant, and doesn’t pretend that he’s nonpartisan in his political views. The first 5 essays regarding ‘an unconditional love of the world’ all deal with other writers and postwar intellects, all concerned with the inhumane conditions that many people suffered, and some managed to survive, during World War 2. This is confronting and completely unvarnished testimony, much darker and rawer than anything I’ve come across in the world of fiction, as if no writer’s imagination could possibly capture the absolute lowest and worst aspects of humanity.
 
None of us really know how we would react in those conditions. Sometimes in dreams we may get a hint. I’ve sometimes considered dreams as experiments that our minds play on us to test our moral fortitude. I know from my father’s experiences in WW2, both in the theatre of war and as a POW, that one’s moral compass can be bent out of shape. He told me of how he once threatened to kill someone who was stealing from wounded who were under his care. The fact that the person he threatened was English and the wounded were Arabs says a lot, as my father held the same racial prejudices as most of his generation. But I suspect he’d witnessed so much unnecessary death and destruction on such a massive scale that the life of a petty, opportunistic thief seemed worthless indeed. When he returned, he had a recurring dream where there was someone outside the house and he feared to confront them. And then on one occasion he did and killed them barehanded. His telling of this tale (when I was much older, of course) reminded me of Luke Skywalker meeting and killing his Jungian shadow in The Empire Strikes Back. My father could be a fearsome presence in those early years of my life – he had demons and they affected us all.
 
Another one of my tangents, but Gaita’s ruminations on the worst of humanity perpetrated by a nation with a rich and rightly exalted history makes one realise that we should not take anything for granted. I’ve long believed that anyone can commit evil given the right circumstances. We all live under this thin veneer that only exists because we mostly have everything we need and are generally surrounded by people who have no real axe to grind and who don’t see our existence as a threat to their own wellbeing.
 
I recently saw the movie, Civil War, starring Kirsten Dunst, who plays a journalist covering a hypothetical conflict in America, consequential to an authoritarian government taking control of the White House. The aspect that I found most believable was how the rule of law no longer seemed to apply, and people had become completely tribal whereupon one’s neighbour could become one’s enemy. I’ve seen documentaries on conflicts in Rwanda and the former Yugoslavia where this has happened – neighbours become mortal enemies, virtually overnight, because they suddenly find themselves on opposite sides of a tribal divide. I found the movie quite scary because it showed what happens when the veneer of civility we take for granted is not just lifted, but disappears.
 
On the first page of his essay on Trump, Gaita sets the tone and the context that resulted in Brexit on one side of the Atlantic and Trump’s Republican nomination on the other.
 
Before Donald Trump became the Republican nominee, Brexit forced many among the left-liberal intelligentsia to ask why they had not realised that resentment, anger and even hatred could go so deep as they did in parts of the electorate.
 
I think the root cause of all these dissatisfactions and resentments that lead to political upheavals that no one sees coming is trenchant inequality. I remember my father telling me when I was a child that the conflict in Ireland wasn’t between 2 religious groups but about wealth and inequality. I suspect he was right, even though it seems equally simplistic.
 
In all these divisions that we’ve seen, including in Australia, is the perception that people living in rural areas are being left out of the political process and not getting their fair share of representation, and consequentially everything else that follows from that, which results in what might be called a falling ‘standard of living’. The fallout from the GFC, which was global, exacerbated these differences, both perceived and real, and conservative politicians took advantage. They depicted the Left as ‘elitist’, which is alluded to in the title of Gaita’s essay, and is ‘code’ for ignorant and arrogant. This happened in Australia and I suspect in other Western democracies as well, like the UK and America.
 
Gaita expresses better than most how Trump has changed politics in America, if no where else, by going outside the bounds of normal accepted behaviour for a world leader. In effect, he’s changed the social norms that one associates with a person holding that position.
 
To illustrate my point, I’ll provide selected quotes, albeit out of context.
 
To call Trump a radically unconventional politician is like calling the mafia unconventional debt collectors; it is to fail to understand how important are the conventions, often unspoken, that enables decency in politics. Trump has poured a can of excrement over those conventions.
 
He has this to say about Trump’s ‘alternative facts’ not only espoused by him, but his most loyal followers.

In linking reiterated accusations of fake news to elites, Trump and his accomplices intended to undermine the conceptual and epistemic space that makes conversations between citizens possible.
 
It is hardly possible to exaggerate the seriousness of this. The most powerful democracy on Earth, the nation that considers itself and is often considered by others to be the leader of ‘the free world’, has a president who attacks unrelentingly the conversational space that can exist only because it is based on a common understanding – the space in which citizens can confidently ask one another what facts support their opinions. If they can’t ask that of one another, if they can’t agree on when something counts as having been established as fact, then the value of democracy is diminished.
 
He then goes on to cite J.D. Vance’s (recently nominated as Trump’s running VP), Hillbilly Elegy, where ‘he tells us… that Obama is not an American, that he was “born in some far-flung corner of the world”, that he has ties to Islamic extremism…’ and much worse.
 
Regarding some of Trump’s worse excesses during his 2016 campaign like getting the crowd to shout “Lock her up!” (his political opponent at the time) Gaita makes this point:
 
At the time, a CNN reporter said that his opponents did not take him seriously, but they did take him literally, whereas his supporters took him seriously but not literally. It was repeated many times… he would be reigned in by the Republicans in the House and the Senate and by trusted institutions. [But] He hasn’t changed in office.
 
It’s worth contemplating what this means if he wins Office again in 2024. He’s made it quite clear he’s out for revenge, and he’s also now been given effective immunity from prosecution by the Supreme Court if he seeks revenge through the Justice Department while he’s in Office. There is also the infamous Project 2025 which has the totally unhidden agenda to get rid of the so-called ‘deep state’ and replace public servants with Trump acolytes, not unlike a dictatorship. Did I just use that word?
 
Trump has achieved something I’ve never witnessed before, which Gaita doesn’t mention, though I have the benefit of an additional 7 years hindsight. What I’m referring to is that Trump has created an alternative universe, and from the commentary I’ve read on forums like Quora and elsewhere, you either live in one universe or the other – it’s impossible to claim you inhabit both. In other words, Trump has created an unbridgeable divide, which can’t be reconciled politically or intellectually. In one universe, Biden stole the 2020 POTUS election from Trump, and in another universe, Trump attempted to overturn the election and failed.
 
This is the depth of division that Trump has created in his country, and you have to ask: How far will people go to defend their version of the truth?
 
It was less than a century ago that fascism threatened the entire world order and created the most extensive conflict witnessed by humankind. I don’t think it’s an exaggeration to say that we are on the potential brink of creating a new brand of authoritarianism in the country epitomised by the slogan, ‘the free world’.

Zen and the art of flow

 This was triggered by a newsletter I received from ABC Classic (Australian radio station) with a link to a study done on ‘flow’, which is a term coined by physiologist, Mihalyi Csikszentmihalyi, to describe a specific psychological experience that many (if not all) people have had when totally immersed in some activity that they not only enjoy but have developed some expertise in.
 
The study was performed by Dr John Kounios from Drexel University's Creative Research Lab in Philadelphia, who “examined the 'neural and psychological correlates of flow' in a sample of jazz guitarists.” The article was authored by Jennifer Mills from ABC Classic’s sister station, ABC Jazz. But the experience of ‘flow’ just doesn’t apply to mental or artistic activities, but also sporting activities like playing tennis or cricket. Mills heads her article with the claim that ‘New research helps unlock the secrets of flow, an important tool for creative and problem solving tasks’. She quotes Csikszentmihalyi to provide a working definition:
 
"A state in which people are so involved in an activity that nothing else seems to matter; the experience is so enjoyable that people will continue to do it even at great cost, for the sheer sake of doing it."
 
I believe I’ve experienced ‘flow’ in 2 quite disparate activities: writing fiction and driving a car. Just to clarify, some people think that experiencing flow while driving means that you daydream, whereas I’m talking about the exact opposite. I hardly ever daydream while driving, and if I find myself doing it, I bring myself back to the moment. Of course, cars are designed these days to insulate you from the experience of driving as much as possible, as we evolve towards self-driving cars. Thankfully, there are still cars available that are designed to involve you in the experience and not remove you from it.
 
I was struck by the fact that the study used jazz musicians, as I’ve often compared the ability to play jazz with the ability to write dialogue (even though I’m not a musician). They both require extemporisation. The article references Nat Bartsch, whom I’ve seen perform live and whose music is an unusual style of jazz in that it can be very contemplative. I saw her perform one of her albums with her quartet, augmented with a cello, which made it a one-off, unique performance. (This is a different concert performed in Sydney without the cellist.)
 
The study emphasised the point that the more experienced practitioners taking part were the ones more likely to experience ‘flow’. In other words, to experience ‘flow’ you need to reach a certain skill-level. In emphasising this point, the author quotes jazz legend, Charlie Parker:
 
"You've got to learn your instrument. Then, you practise, practise, practise. And then, when you finally get up there on the bandstand, forget all that and just wail."
 
I can totally identify with this, as when I started writing it was complete crap, to the extent that I wouldn’t show it to anyone. For some irrational reason, I had the self-belief – some might say, arrogance – that, with enough perseverance and practice, I could ‘break-through’ into the required skill-level. In fact, I now create characters and write dialogue with little conscious effort – it’s become a ‘delegated’ task, so I can concentrate on the more complex tasks of resolving plot points, developing moral dilemmas and formulating plot twists. Notice that these require a completely different set of skills that also had to be learned from scratch. But all this can come together, often in unexpected and surprising ways, when one is in the mental state of ‘flow’. I’ve described this as a feeling like you’re an observer, not the progenitor, so the process occurs as if you’re a medium and you just have to trust it.
 
Dr. Steffan Herff, leader of the Sydney Music, Mind and Body Lab at Sydney University, makes a point that supports this experience:
 
"One component that makes flow so interesting from a cognitive neuroscience and psychology perspective, is that it comes with a 'loss of self-consciousness'."
 
And this allows me to segue into Zen Buddhism. Many years ago, I read an excellent book by Daisetz Suzuki titled, Zen and Japanese Culture, where he traces the evolutionary development of Zen, starting with Buddhism in India, then being adopted in China, where it was influenced by Taoism, before reaching Japan, where it was assimilated into a sister-religion (for want of a better term) with Shintoism, which is an animistic religion.
 
Suzuki describes Zen as going inward rather than outward, while acknowledging that the two can’t be disconnected. But I think it’s the loss of ‘self’ that makes it relevant to the experience of flow. When Suzuki described the way Zen is practiced in Japan, he talked about being in the moment, whatever the activity, and for me, this is an ideal that we rarely attain. It was only much later that I realised that this is synonymous with flow as described by Csikszentmihalyi and currently being examined in the studies referenced above.
 
I’ve only once before written a post on Zen (not counting a post on Buddhism and Christianity), which arose from reading Douglas Hofstadter’s seminal tome, Godel Escher Bach (which is not about Zen, although it gets a mention), and it’s worth quoting this summation from myself:
 
My own take on this is that one’s ego is not involved yet one feels totally engaged. It requires one to be completely in the moment, and what I’ve found in this situation is that time disappears. Sportsmen call it being ‘in the zone’ and it’s something that most of us have experienced at some time or another.