Logic, analysis and creativity

I’ve talked before about the apparent divide between arts and humanities, and science and technology. Someone once called me a polymath, but I don’t think I’m expert enough in any field to qualify. However, I will admit that, for most of my life, I’ve had a foot in both camps, to use a well-worn metaphor. At the risk of being self-indulgent, I’m going to discuss this dichotomy in reference to my own experiences.

I’ve worked in the engineering/construction industry most of my adult life, yet I have no technical expertise there either. Mostly, I worked as a planning and cost control engineer, which is a niche activity that I found I was good at. It also meant I got to work with accountants and lawyers as well as engineers of all disciplines, along with architects. 

The reason I bring this up is because planning is all about logic – in fact, that’s really all it is. At its most basic, it’s a series of steps, some of which are sequential and some in parallel. I started doing this before computers did a lot of the work for you. But even with computers, you have to provide the logic; so if you can’t do that, you can’t do professional planning. I make that distinction because it was literally my profession.

In my leisure time, I write stories and that also requires a certain amount of planning, and I’ve found there are similarities, especially when you have multiple plot lines that interweave throughout the story. For me, plotting is the hardest part of storytelling; it’s a sequential process of solving puzzles. And science is also about solving puzzles, all of which are beyond my abilities, yet I love to try and understand them, especially the ones that defy our intuitive sense of logic. But science is on a different level to both my professional activities and my storytelling. I dabble at the fringes, taking ideas from people much cleverer than me and creating a philosophical pastiche.

Someone on Quora (a student) commented once that studying physics exercised his analytical skills, which he then adapted to other areas of his life. It occurred to me that I have an analytical mind and that is why I took an interest in physics rather than the other way round. Certainly, my work required an analytical approach and I believe I also take an analytical approach to philosophy. In fact, I’ve argued previously that analysis is what separates philosophy from dogma. Anyway, I don’t think it’s unusual for us, as individuals, to take a skill set from one activity and apply it to another apparently unrelated one.

I wrote a post once about the 3 essential writing skills, being character development, evoking emotion and creating narrative tension. The key to all of these is character and, if one was to distil out the most essential skill of all, it would be to write believable dialogue, as if it was spontaneous, meaning unpremeditated, yet not boring or irrelevant to the story. I’m not at all sure it can be taught. Someone once said (Don Burrows) that jazz can’t be taught, because it’s improvisation by its very nature, and I’d argue the same applies to writing dialogue. I’ve always felt that writing fiction has more in common with musical composition than writing non-fiction. In both cases they can come unbidden into one’s mind, sometimes when one is asleep, and they’re both essentially emotive mediums. 

But science too has its moments of creativity, indeed sheer genius; being a combination of sometimes arduous analysis and inspired intuition.