I’ve discussed this before in relation to John D. Barrow’s revelations concerning the fine structure constant, amongst other things, in his excellent book, The Constants of Nature. A recent episode of Catalyst, called Custom Universe also raised this issue, plus the latest issue of New Scientist (6 June 2015, pp.37-39) explaining the extraordinary fine difference in mass between neutrons and protons (that can’t be explained with our current knowledge of physics) and, in particular, the consequences of small variations to that difference.
In other words, the stability of atoms, including the prototype atom, hydrogen, is dependent on the neutron being slightly heavier than the proton by 0.14% (the neutron is 939.6 Mev and the proton is 938.3 Mev). Making the difference much bigger would result in more complex atoms becoming impossible to create and much smaller would have converted all hydrogen atoms into inert helium, therefore no fusion in stars and no other atoms. Smaller still or making protons heavier than neutrons would have resulted in protons decaying into neutrons and therefore no atoms at all.
This is just one of many examples of fine-tuning in our universe that makes the evolution of complex life forms, and therefore intelligent life, possible. And, of course, we still don’t know why matter outweighed anti-matter in the early stages of the universe by 1 billion and 1 to 1 billion, otherwise the universe would be just radiation and nothing else.
The standard answer to this is the multiverse, which postulates that there exists up to an infinite number of alternative universes, and, logically, we must exist in the one universe that allows intelligent life, like us, to evolve. Brian Cox (in Human Universe) uses the analogy of a lottery. When we buy a lottery ticket the chances of winning is some astronomical number, and in our individual lifetimes, very few of us ever win. However, as Cox points out, someone wins every time, and that’s the same with the multiverse. We win because we are in it and all the others that don’t win are unknown and unknowable because no consciousness can evolve in them to find out. This is known as the weak Anthropic Principle, which I’ve discussed elsewhere.
What many people don’t realise is that if there is an infinite number of universes then there must be an infinite number of you and me, because, in an infinite amount of space and time, anything that can happen once must happen an infinite number of times – a mathematical truism.
But many see the multiverse as a cop-out, because it explains everything and nothing. It says all things are possible therefore we are possible, problem solved. It provides an answer with no explanation. And, at its extreme interpretation, it says that everything is possible an infinite number of times.
Max Tegmark advocates this extreme interpretation in his book, Our Mathematical Universe, where he postulates up to 4 levels of multiverses, including the quantum multiverse. In fact, Tegmark conjured up a thought experiment, whereby if you die you just find yourself in an alternative quantum universe, and therefore you are effectively immortal. To take this to its logical conclusion, there must exist a universe where everyone lives forever, therefore we all eventually find Heaven, or at least, its mathematically plausible equivalent.
Equally relevant to this topic, is the issue of biological evolution, and I’ve just finished reading an excellent book on this subject, Life Ascending; The Ten Great Inventions of Evolution by Nick Lane. Now many people (including Richard Dawkins, I imagine) will take issue with the word ‘invention’ and ‘evolution’ appearing in the same sentence, let alone on the cover of a book. But I doubt Dawkins would take issue with any of the material between the covers, even in the places where his name is cited. Lane, of course, is aware of some people’s sensitivity to the word ‘invention’ in this context, and is quick to explain he’s not referring to a ‘creator’ but to the extraordinary inventiveness inherent in the process of natural selection. In the same way, and for the same reasons, I have no problem in appropriating the word ‘design’ when discussing evolution because natural selection is nature’s design methodology and its more significant ‘inventions’ are the subject of the book, hence the totally apposite title.
Lane structures the book into 10 chapters that cover his ‘ten inventions’: 1) The Origin of Life; 2) DNA; 3) Photosynthesis; 4)The Complex Cell; 5) Sex; 6) Movement; 7) Sight; 8) Hot Blood; 9)Consciousness; 10) Death.
I have to say that this is the best book on evolution that I’ve read, not least because Lane has such a commanding knowledge of his subject and a very accessible style of prose. Lane is a biochemist by training and it’s his ability to explain what happens at a molecular level that gives the book so much intellectual weight. He appears up to date on all the latest discoveries and provides historical context everywhere; so we learn how theories have developed, sometimes stalled, sometimes been disproved and sometimes yet to be confirmed. Anyone who studies science, at whatever level, appreciates that we never know everything and we never will, but that we are constantly uncovering newly discovered nature’s secrets that would astound the likes of Darwin and his contemporaries with their depth and ingenuity.
All the chapters contain information that I wasn’t aware of previously, but the first two chapters are probably the most revelatory and the most enthralling. One suspects that it’s at this level that Lane is most intrigued and therefore most knowledgeable on all the latest developments. I won’t go into details, but he provides the best arguments I’ve come across on how life, at its simplest form, may have evolved from pure chemistry. In light of the title of this post, I was struck on more than one occasion on how just the right elements or combination of factors arose to produce the forebears of life as we now know it.
This is all good grist for those who believe we have a special destiny, and that there is the ‘hand’ of some immaterial force behind it all. The other extreme is to be dismissive of this view as ‘weak-minded’ and ‘unintelligent’, yet I find the idea that our existence is an accident that should never have happened equally absurd and, dare-I-say-it, unintelligent. My own view, that I’ve expressed elsewhere, is that the Universe is brim-full of purpose yet that purpose has evolved with no plan or blueprint in sight, no pre-destined goal, just a set of laws that have allowed it all to happen.
If there is a ‘creator’, then ‘he’, ‘she’ or ‘it’ works in a very strange fashion, certainly not in the manner that creationists and ID advocates would have us believe, because the ‘design’ has been done piece-meal with many wrong turns, much trial and error and many catastrophes on a grand scale, of which we could easily become one ourselves. In comparison to the epic story of life, we are like mayflies, existing for less than a day, thus far – it’s a sobering thought.
In regard to the ridiculous debate on religion versus science, it is worth quoting Lane himself from the last paragraph of his book.
I think the picture painted here in this book is true. Life most surely evolved, along the lines described here. That is not dogma, but evidence tested in reality and corrected accordingly. Whether this grand picture is compatible with faith in God, I do not know. For some people, intimately acquainted with evolution, it is; for others, it is not.
Addendum: This is a YouTube interview with physicist, Leonard Susskind, who discusses the fine-tuned universe on Closer to Truth, which appears to be a series of interviews with well known scientists and philosophers giving us their interpretation of philosophical cum scientific conundrums.
Susskind, not surprisingly, delivers a very compelling argument for the multi-verse, or, as he calls it, the mega-verse, and, in so doing, references String or M Theory as supporting this view. Personally, I'm a bit of a sceptic of String theory and its many variations, as it reminds me of Ptolemy's epicycles, but I may well be proven wrong in the near or far future. Only time will tell.
But what struck me as I listened to Lenny's argument, was that, even if it's true, it still means that our universe is very special, amongst all the possibilities. However, as I pointed out in my main post, if there are an infinite number of universes then it's not special at all.
Thursday, 11 June 2015
Thursday, 4 June 2015
Ex Machina – the movie
This is a good film for anyone interested in AI at a philosophical level. It even got reviewed in New Scientist and they don’t normally review movies. It’s a clever psychological thriller, so you don’t have to be a nerd to enjoy it, though there are some pseudo-nerdy conversations that are better assimilated if the audience has some foreknowledge. Examples are the Turing Test and the Mary thought experiment regarding colour.
Both of these are explained through expositional dialogue in the movie, rather seamlessly I should add, so ignorance is not necessarily a barrier. The real Turing test for AI would be if an AI could outsmart a human – not in a game of chess or a knowledge-based TV quiz show, but behaviourally – and this is explored as well. Like all good psychological thrillers, there is a clever twist at the end which is not predictable but totally consistent within the context of the narrative. In other words, it’s a well written and well executed drama irrespective of its philosophical themes.
One of the issues not addressed in the movie – because it would spoil it – is the phenomenon known as the ‘uncanny valley’, which I’ve written about here. Basically, when androids become almost human-like in appearance and movement, we become very uncomfortable. This doesn’t happen in the movie, and, of course, it’s not meant to, but it’s the real piece of deception in the film. Despite appearances that the character, Ava, is a machine because we can literally see through parts of her body, we all know that she is really an actress playing a part.
I’ve argued in the aforementioned post that I believe the source of this discomfort is the lack of emotional empathy. In the movie, however, the AI demonstrates considerable empathy, or at least appears to, which is one of the many subtle elements explored. This is very good science fiction because it explores a possible future and deals with it on a philosophical level, including ethical considerations, as well as entertaining us.
There are nods to Mary Shelley’s Frankenstein and Asimov’s I Robot, although that may be my own particular perspective. I’ve created AI’s in my own fiction, but completely different to this. In fact, I deliberately created a disembodied AI, which develops a ‘relationship’ with my protagonist, and appears to display ‘loyalty’. However I explain this with the concept of ‘attachment’ programming, which doesn’t necessarily require empathy as we know it.
I bring this up, because the 2 stories, Ex Machina and mine, explore AI but with different philosophical perspectives and different narrative outcomes.
Both of these are explained through expositional dialogue in the movie, rather seamlessly I should add, so ignorance is not necessarily a barrier. The real Turing test for AI would be if an AI could outsmart a human – not in a game of chess or a knowledge-based TV quiz show, but behaviourally – and this is explored as well. Like all good psychological thrillers, there is a clever twist at the end which is not predictable but totally consistent within the context of the narrative. In other words, it’s a well written and well executed drama irrespective of its philosophical themes.
One of the issues not addressed in the movie – because it would spoil it – is the phenomenon known as the ‘uncanny valley’, which I’ve written about here. Basically, when androids become almost human-like in appearance and movement, we become very uncomfortable. This doesn’t happen in the movie, and, of course, it’s not meant to, but it’s the real piece of deception in the film. Despite appearances that the character, Ava, is a machine because we can literally see through parts of her body, we all know that she is really an actress playing a part.
I’ve argued in the aforementioned post that I believe the source of this discomfort is the lack of emotional empathy. In the movie, however, the AI demonstrates considerable empathy, or at least appears to, which is one of the many subtle elements explored. This is very good science fiction because it explores a possible future and deals with it on a philosophical level, including ethical considerations, as well as entertaining us.
There are nods to Mary Shelley’s Frankenstein and Asimov’s I Robot, although that may be my own particular perspective. I’ve created AI’s in my own fiction, but completely different to this. In fact, I deliberately created a disembodied AI, which develops a ‘relationship’ with my protagonist, and appears to display ‘loyalty’. However I explain this with the concept of ‘attachment’ programming, which doesn’t necessarily require empathy as we know it.
I bring this up, because the 2 stories, Ex Machina and mine, explore AI but with different philosophical perspectives and different narrative outcomes.
Friday, 15 May 2015
In memory of B.B. King - 16 September 1925 to 14 May 2015 - a True Legend
This is a trailer for a documentary on B.B. King released last year. It says it all, really.
When I think of the Blues, I think of B.B. King.
Wednesday, 6 May 2015
Salt of the Earth – the movie
I saw this film last weekend, and, once again, I think this is a movie everyone should see. I said that about the last film I reviewed (Citizenfour), and, in both cases, despite winning awards, they’re only being shown in one cinema in the whole of Melbourne (yes, the same cinema).
Salt of the Earth is a documentary about the life and work of Brasilian photographer, Sebastio Salgado, from around 1969 to 2013, even though he speaks French throughout the entire film.
Salgado was educated as an economist and worked as one in Europe before he made the unorthodox choice of devoting his life to recording peoples and events throughout the world, although, in the latter part of his career, he reinvented himself as a nature photographer. His son, Juliano Ribeiro Salgado, co-directed the documentary with legendary German filmmaker, Wim Wenders.
The most famous photograph taken by Salgado, which some of you may have seen, is of the Serra Pelada gold mine in Brasil (taken in 1986), where people look like ants climbing impossibly steep wooden ladders, laden with bags of dirt and covered in dirt themselves.
There are many layers to this film. Firstly, there is the subject of Salgado himself, who is an extraordinary human being, not least because he goes to places and witnesses events that very few of us have the courage to attempt. Over 40 years he has recorded and chronicled humanity at its best and worst – it’s like he is willing to go and witness what the rest of us have no compulsion to see.
The film is 1hr 45 mins, much of it taken up with monologue from Salgado and full screen projections of his black and white stills. Yet this is anything but boring cinema. His photographs alone have an emotional force that is often attempted yet rarely achieved in cinema. No one leaves this film without being deeply moved and questioning the very place of humanity in the world. Whilst that last statement reads like hyperbole, I will attempt to provide the context that leads me to make it.
Salgado himself is relatively quiet spoken for someone who has seen so much and travelled so widely. Yet his voice is an eminently suitable companion to his photographs, providing a gravitas with no hint of embellishment. The documentary not only tracks his private life but also the series of ‘projects’ he embarked upon, which provides the film’s structure.
Salgado is not someone who simply photographs people, often in circumstances most of us (in the West) can never imagine, he goes and stays with them, in refugee camps in Africa or the jungles of South America, for example. He really does chronicle their lives and, in so doing, captures with his lens their pain or suffering or ebullience that the rest of us can readily empathise with.
He records the Balkan wars, the oil fires in Kuwait, the droughts and consequential famine in Ethiopia and the genocide in Rwanda. This last event made him question humanity itself, and because you literally see the world through his eyes, via his camera, you find yourself doing the same. It was after this that he reinvented himself as a nature photographer, and it is in this role that I feel he produced some of his best work.
There is a point in this movie where I found myself wondering: do we, as a species, deserve the responsibility of being caretakers of this planet? Because that’s the role we have, whether we want it or not. This film brought this home to me more than anything else I’ve seen or read.
It creates a perspective that we rarely contemplate: the petty lives we live in the West, driven by economic consumerism; whilst much of the world is exploited, starved, imprisoned by inescapable poverty; and its wildlife pushed evermore into smaller enclaves, often pursued by poachers.
We have the knowledge and the technology to make the world a better place – I don’t doubt that – but whilst the entire Western world is driven by the accumulation of wealth at the expense of everything else, we will never achieve it.
Salt of the Earth is a documentary about the life and work of Brasilian photographer, Sebastio Salgado, from around 1969 to 2013, even though he speaks French throughout the entire film.
Salgado was educated as an economist and worked as one in Europe before he made the unorthodox choice of devoting his life to recording peoples and events throughout the world, although, in the latter part of his career, he reinvented himself as a nature photographer. His son, Juliano Ribeiro Salgado, co-directed the documentary with legendary German filmmaker, Wim Wenders.
The most famous photograph taken by Salgado, which some of you may have seen, is of the Serra Pelada gold mine in Brasil (taken in 1986), where people look like ants climbing impossibly steep wooden ladders, laden with bags of dirt and covered in dirt themselves.
There are many layers to this film. Firstly, there is the subject of Salgado himself, who is an extraordinary human being, not least because he goes to places and witnesses events that very few of us have the courage to attempt. Over 40 years he has recorded and chronicled humanity at its best and worst – it’s like he is willing to go and witness what the rest of us have no compulsion to see.
The film is 1hr 45 mins, much of it taken up with monologue from Salgado and full screen projections of his black and white stills. Yet this is anything but boring cinema. His photographs alone have an emotional force that is often attempted yet rarely achieved in cinema. No one leaves this film without being deeply moved and questioning the very place of humanity in the world. Whilst that last statement reads like hyperbole, I will attempt to provide the context that leads me to make it.
Salgado himself is relatively quiet spoken for someone who has seen so much and travelled so widely. Yet his voice is an eminently suitable companion to his photographs, providing a gravitas with no hint of embellishment. The documentary not only tracks his private life but also the series of ‘projects’ he embarked upon, which provides the film’s structure.
Salgado is not someone who simply photographs people, often in circumstances most of us (in the West) can never imagine, he goes and stays with them, in refugee camps in Africa or the jungles of South America, for example. He really does chronicle their lives and, in so doing, captures with his lens their pain or suffering or ebullience that the rest of us can readily empathise with.
He records the Balkan wars, the oil fires in Kuwait, the droughts and consequential famine in Ethiopia and the genocide in Rwanda. This last event made him question humanity itself, and because you literally see the world through his eyes, via his camera, you find yourself doing the same. It was after this that he reinvented himself as a nature photographer, and it is in this role that I feel he produced some of his best work.
There is a point in this movie where I found myself wondering: do we, as a species, deserve the responsibility of being caretakers of this planet? Because that’s the role we have, whether we want it or not. This film brought this home to me more than anything else I’ve seen or read.
It creates a perspective that we rarely contemplate: the petty lives we live in the West, driven by economic consumerism; whilst much of the world is exploited, starved, imprisoned by inescapable poverty; and its wildlife pushed evermore into smaller enclaves, often pursued by poachers.
We have the knowledge and the technology to make the world a better place – I don’t doubt that – but whilst the entire Western world is driven by the accumulation of wealth at the expense of everything else, we will never achieve it.
Thursday, 9 April 2015
Morality is totally in the eye of the beholder
The most obvious and topical examples of this truism are the behaviours of members of IS towards ‘outsiders’. But this post is not about IS; nevertheless, it is about a clash of cultures – in this case a clash of ‘old’ versus ‘new’ in the same society, which happens to be India.
Last night I saw a documentary, 2 years in the making, by British filmmaker, Leslee Udwin, called India’s Daughter about the rape and murder of Jyoti Singh in December 2012 – a crime at once so brutal and primal that it shocked the entire civilised world. The film was due to be broadcast worldwide on International Women’s Day in March, including India, but the Indian Government unexpectedly banned the documentary from being shown in the country, ‘claiming it was an affront to women’ (according to the ABC). This about-face on the part of the Indian Government is not so surprising when the documentary itself reveals the schism that exists in Indian society on the issue of women’s roles and women’s rights.
This blog is seen and read all over the world, including India, so I hope that Indians do indeed read this, especially since they were not allowed access to the documentary.
I’ve written before that morality for most people is determined by social and cultural norms, hence the title of this post. I’ve read many articles and essays that attempt to provide a meta-ethics or an objective morality, but experience and observation suggest that culture is the overriding factor in determining someone’s personal moral compass. This incident demonstrates how 2 conflicting cultural norms can lead to tragic and fatal consequences for an individual. Written in that language, one might consider that the 2 opposing cultural norms may have equal validity, but, when it leads to a crime, comparable in nature to Jack the Ripper’s, it’s hard to maintain that relativist position.
I’ve argued previously that moral relativism is an impossible position to hold because no one can hold or defend opposing moral viewpoints. This documentary is a case in point, because, whilst it demonstrates that one’s moral viewpoint is indeed in the eye of the beholder, it also demonstrates that 2 opposing moral viewpoints cannot be sustained.
Jyoti Singh was an only daughter of a poor family who put herself through university to earn a degree in medicine, whilst working in a call centre, managing on 3-4 hrs sleep per night. So she’s an extraordinary modern success story, an inspiration for any young woman wanting to pursue a career in whatever field; but becoming a doctor, given her circumstances, is an especially outstanding achievement.
She had earned her degree and was about to start her 6mth internship the following Monday. Knowing that she would have little free time, she went to see a movie with a male friend on the Sunday night – they went and saw Life of Pi. Nothing could be more ‘ordinary’. I have seen that movie and it gave a particular resonance, because no one expects that, after being entertained by a celebrated movie, they would be murdered on their way home.
But this is where we have a clash of cultures because she was trapped on a bus with a pack of animals(6) who not only raped her but disembowelled her. I use the term ‘pack of animals’ because they were not human. No human could do that to another human. In committing that act, they gave up all rights to be called human.
The documentary includes interviews with the driver of the bus and the 2 lawyers who defended the gang. These interviews, more than anything else, reveal the cultural schism that I referred to earlier, because they all defended the gang and blamed the girl – that’s their moral perspective based on their cultural norms.
The driver maintained that he didn’t partake in the ‘incident’ (he just drove the bus), which at one point he corrects himself and calls an ‘accident’, yet he defends the actions of the others and goes so far as to say, that in the case of rape, ‘the girl is more responsible than the boy’. What’s more, he argues that she shouldn’t have fought back, then she wouldn’t have been harmed. In other words, even the fatal wounds she suffered were her own fault. But he also, tellingly, said it was a ‘message’, implying that she had forfeited all rights to her dignity and her life by going to a movie with a male friend.
The truth is that he knew nothing about her: he didn’t know that she was a recently qualified doctor or the sacrifices she had made to earn that qualification or that she had a future that he could never even dream about. No, she had no value as a human being because, in his eyes and those of his partners-in-crime, she had no self-respect. It was obvious from conversations with the filmmaker that he considered rape to be a normal activity. A prison psychiatrist related that they believed they had the ‘right to enjoy themselves’. Whereas others enjoyed themselves using money they did so with their ‘courage’ and that legitimised it in their minds. What strikes one straightaway is that the girl’s enjoyment is irrelevant – in fact, implicit in this rationalisation is the belief that her suffering: physical, emotional, psychological; actually contributes to their enjoyment.
But this admission highlights another problem in a society like India’s. There is effectively no outlet for normal sexual appetites for young men because of their strict moral approbations towards women, and this is what makes rape a normal and acceptable activity in the eyes of those who practice it. What’s more, as the bus driver points out, it’s easy to justify when it’s the girl’s own fault.
But whilst the defensive arguments of the bus driver were understandable if impossible to empathise with, the arguments of the 2 lawyers beggared belief. One lawyer, to distinguish him from the other, I will call the ‘unctuous’ lawyer – the other lawyer didn’t even deserve the title, human being, but I will come to that later.
The unctuous lawyer described a woman as something precious like a flower or a jewel that needed to be protected. In ‘our culture’, to use his own words, she is not allowed outside the home. But this is a contradiction because a person who is not allowed to interact with the outside world has no value whatsoever, except of course to be a servant to her husband and a mother to her children. So she’s a ‘jewel’ or ‘flower’ who should never be seen in public. He blames ‘filmy’ culture because it portrays women as independent (he didn’t say that but it was implied) which, in his mind, is a fantasy. And although he never says it, it’s a corollary to his viewpoint that a woman should never use her brain to become a doctor or a lawyer (like himself). So a woman can be ‘precious’ as long as she’s never seen and as long as she makes no attempt to use her brain as a man can.
But the second lawyer publicly stated on TV that if he had a sister or a daughter who committed ‘adultery’, he would pour petrol on her and set fire to her in front of the entire family. That’s his mentality. A person, who publicly admits that he would burn his sister or daughter alive, doesn’t deserve the title, human being. And he’s a lawyer. Does he consider then, that a young single woman going to a movie with her boyfriend is tantamount to committing adultery?
One can’t watch this documentary without feeling the pain of the parents and without contemplating the senseless waste of a young life that had so much promise. The mother, when discussing her daughter’s situation, having just earned her degree and on the brink of starting a career as a doctor, made the following statement: ‘It seems that God didn’t like this. He ended everything.’ Implicit in this statement is a belief that God was punishing her and her daughter for daring to follow an independent career. It is not surprising that people feel a perverse sense of guilt when they lose someone so close to them. Also, just before dying, her daughter apologised for ‘all the trouble she had caused’ – her last words, apparently. This is the culture that India has imparted onto its women: that they take the burden of responsibility and guilt, whilst those who commit the most heinous crime see no wrong in what they’ve done. It’s an upside down perverse sort of morality.
Young people, from universities mostly, protested for over a month, despite being subjected to tear gas and fire hose dowsing by police. And this is probably why the film has been banned, because the protests could easily start anew. But a consequence of the protests was that the government set up a panel to review rape laws and make recommendations. One of the members of the panel, Leila Seth, a woman and former Chief Justice, held hope that young people would challenge and ultimately change the culture, which is the only long term solution. She made the logical and true statement that the key was the education of women, because only then would women attain a sense of self-worth that men would also value and acknowledge.
Last night I saw a documentary, 2 years in the making, by British filmmaker, Leslee Udwin, called India’s Daughter about the rape and murder of Jyoti Singh in December 2012 – a crime at once so brutal and primal that it shocked the entire civilised world. The film was due to be broadcast worldwide on International Women’s Day in March, including India, but the Indian Government unexpectedly banned the documentary from being shown in the country, ‘claiming it was an affront to women’ (according to the ABC). This about-face on the part of the Indian Government is not so surprising when the documentary itself reveals the schism that exists in Indian society on the issue of women’s roles and women’s rights.
This blog is seen and read all over the world, including India, so I hope that Indians do indeed read this, especially since they were not allowed access to the documentary.
I’ve written before that morality for most people is determined by social and cultural norms, hence the title of this post. I’ve read many articles and essays that attempt to provide a meta-ethics or an objective morality, but experience and observation suggest that culture is the overriding factor in determining someone’s personal moral compass. This incident demonstrates how 2 conflicting cultural norms can lead to tragic and fatal consequences for an individual. Written in that language, one might consider that the 2 opposing cultural norms may have equal validity, but, when it leads to a crime, comparable in nature to Jack the Ripper’s, it’s hard to maintain that relativist position.
I’ve argued previously that moral relativism is an impossible position to hold because no one can hold or defend opposing moral viewpoints. This documentary is a case in point, because, whilst it demonstrates that one’s moral viewpoint is indeed in the eye of the beholder, it also demonstrates that 2 opposing moral viewpoints cannot be sustained.
Jyoti Singh was an only daughter of a poor family who put herself through university to earn a degree in medicine, whilst working in a call centre, managing on 3-4 hrs sleep per night. So she’s an extraordinary modern success story, an inspiration for any young woman wanting to pursue a career in whatever field; but becoming a doctor, given her circumstances, is an especially outstanding achievement.
She had earned her degree and was about to start her 6mth internship the following Monday. Knowing that she would have little free time, she went to see a movie with a male friend on the Sunday night – they went and saw Life of Pi. Nothing could be more ‘ordinary’. I have seen that movie and it gave a particular resonance, because no one expects that, after being entertained by a celebrated movie, they would be murdered on their way home.
But this is where we have a clash of cultures because she was trapped on a bus with a pack of animals(6) who not only raped her but disembowelled her. I use the term ‘pack of animals’ because they were not human. No human could do that to another human. In committing that act, they gave up all rights to be called human.
The documentary includes interviews with the driver of the bus and the 2 lawyers who defended the gang. These interviews, more than anything else, reveal the cultural schism that I referred to earlier, because they all defended the gang and blamed the girl – that’s their moral perspective based on their cultural norms.
The driver maintained that he didn’t partake in the ‘incident’ (he just drove the bus), which at one point he corrects himself and calls an ‘accident’, yet he defends the actions of the others and goes so far as to say, that in the case of rape, ‘the girl is more responsible than the boy’. What’s more, he argues that she shouldn’t have fought back, then she wouldn’t have been harmed. In other words, even the fatal wounds she suffered were her own fault. But he also, tellingly, said it was a ‘message’, implying that she had forfeited all rights to her dignity and her life by going to a movie with a male friend.
The truth is that he knew nothing about her: he didn’t know that she was a recently qualified doctor or the sacrifices she had made to earn that qualification or that she had a future that he could never even dream about. No, she had no value as a human being because, in his eyes and those of his partners-in-crime, she had no self-respect. It was obvious from conversations with the filmmaker that he considered rape to be a normal activity. A prison psychiatrist related that they believed they had the ‘right to enjoy themselves’. Whereas others enjoyed themselves using money they did so with their ‘courage’ and that legitimised it in their minds. What strikes one straightaway is that the girl’s enjoyment is irrelevant – in fact, implicit in this rationalisation is the belief that her suffering: physical, emotional, psychological; actually contributes to their enjoyment.
But this admission highlights another problem in a society like India’s. There is effectively no outlet for normal sexual appetites for young men because of their strict moral approbations towards women, and this is what makes rape a normal and acceptable activity in the eyes of those who practice it. What’s more, as the bus driver points out, it’s easy to justify when it’s the girl’s own fault.
But whilst the defensive arguments of the bus driver were understandable if impossible to empathise with, the arguments of the 2 lawyers beggared belief. One lawyer, to distinguish him from the other, I will call the ‘unctuous’ lawyer – the other lawyer didn’t even deserve the title, human being, but I will come to that later.
The unctuous lawyer described a woman as something precious like a flower or a jewel that needed to be protected. In ‘our culture’, to use his own words, she is not allowed outside the home. But this is a contradiction because a person who is not allowed to interact with the outside world has no value whatsoever, except of course to be a servant to her husband and a mother to her children. So she’s a ‘jewel’ or ‘flower’ who should never be seen in public. He blames ‘filmy’ culture because it portrays women as independent (he didn’t say that but it was implied) which, in his mind, is a fantasy. And although he never says it, it’s a corollary to his viewpoint that a woman should never use her brain to become a doctor or a lawyer (like himself). So a woman can be ‘precious’ as long as she’s never seen and as long as she makes no attempt to use her brain as a man can.
But the second lawyer publicly stated on TV that if he had a sister or a daughter who committed ‘adultery’, he would pour petrol on her and set fire to her in front of the entire family. That’s his mentality. A person, who publicly admits that he would burn his sister or daughter alive, doesn’t deserve the title, human being. And he’s a lawyer. Does he consider then, that a young single woman going to a movie with her boyfriend is tantamount to committing adultery?
One can’t watch this documentary without feeling the pain of the parents and without contemplating the senseless waste of a young life that had so much promise. The mother, when discussing her daughter’s situation, having just earned her degree and on the brink of starting a career as a doctor, made the following statement: ‘It seems that God didn’t like this. He ended everything.’ Implicit in this statement is a belief that God was punishing her and her daughter for daring to follow an independent career. It is not surprising that people feel a perverse sense of guilt when they lose someone so close to them. Also, just before dying, her daughter apologised for ‘all the trouble she had caused’ – her last words, apparently. This is the culture that India has imparted onto its women: that they take the burden of responsibility and guilt, whilst those who commit the most heinous crime see no wrong in what they’ve done. It’s an upside down perverse sort of morality.
Young people, from universities mostly, protested for over a month, despite being subjected to tear gas and fire hose dowsing by police. And this is probably why the film has been banned, because the protests could easily start anew. But a consequence of the protests was that the government set up a panel to review rape laws and make recommendations. One of the members of the panel, Leila Seth, a woman and former Chief Justice, held hope that young people would challenge and ultimately change the culture, which is the only long term solution. She made the logical and true statement that the key was the education of women, because only then would women attain a sense of self-worth that men would also value and acknowledge.
Monday, 23 March 2015
Emmy Noether's birthday today
Google has honoured Emmy Noether's birthday. Few people know who she is but, amongst other contributions to mathematics, she proved a theorem, known as Noether's theorem, that underpins all of physics because it deals with symmetry and conservation laws of energy and momentum.
The mathematics is well over my head, but I appreciate its ramifications. Basically, it deals with the mathematical relationships between symmetry in space and conservation of momentum, symmetry in time and conservation of energy and symmetry of rotation and conservation of angular momentum. This applies in particular to quantum mechanics, though conservation laws are equally relevant in relativity theory.
Symmetry, in this context, is about translation: translations in space, translations in time and translations in rotation. Richard Feynman gives a good exposition in Six Not-So-Easy Pieces, where I came across it for the first time, and he describes it thus: ...a most profound and beautiful thing, is that, in quantum mechanics, for each of the rules of symmetry there is a corresponding conservation law; there is a definite connection between the laws of conservation and the symmetry of physical laws.
You can read about it in some detail in Wikipedia, though I confess it's a bit esoteric.
Noether died relatively young in America at age 53, 2 years after escaping Nazi Germany, and Einstein wrote a moving tribute to her in the New York Times (1935). Physicists, Leon M. Lederman and Christopher T. Hill, in Symmetry and the Beautiful Universe, give the following accolade: “..certainly one of the most important mathematical theorems ever proved in guiding the development of modern physics…”
The sad part about her story is that she is virtually unknown and was not given due recognition in her own time, simply because she was a woman.
Addendum: It's also 100 years since Noether developed her seminal theorem - the same year that Einstein developed his General Theory of Relativity, incorporating gravity.
The mathematics is well over my head, but I appreciate its ramifications. Basically, it deals with the mathematical relationships between symmetry in space and conservation of momentum, symmetry in time and conservation of energy and symmetry of rotation and conservation of angular momentum. This applies in particular to quantum mechanics, though conservation laws are equally relevant in relativity theory.
Symmetry, in this context, is about translation: translations in space, translations in time and translations in rotation. Richard Feynman gives a good exposition in Six Not-So-Easy Pieces, where I came across it for the first time, and he describes it thus: ...a most profound and beautiful thing, is that, in quantum mechanics, for each of the rules of symmetry there is a corresponding conservation law; there is a definite connection between the laws of conservation and the symmetry of physical laws.
You can read about it in some detail in Wikipedia, though I confess it's a bit esoteric.
Noether died relatively young in America at age 53, 2 years after escaping Nazi Germany, and Einstein wrote a moving tribute to her in the New York Times (1935). Physicists, Leon M. Lederman and Christopher T. Hill, in Symmetry and the Beautiful Universe, give the following accolade: “..certainly one of the most important mathematical theorems ever proved in guiding the development of modern physics…”
The sad part about her story is that she is virtually unknown and was not given due recognition in her own time, simply because she was a woman.
Addendum: It's also 100 years since Noether developed her seminal theorem - the same year that Einstein developed his General Theory of Relativity, incorporating gravity.
Subscribe to:
Posts (Atom)