I occasionally write science fiction; a genre I chose out of fundamental laziness. I knew I could write in that medium without having to do any research to speak of. I liked the idea of creating the entire edifice - world, story and characters - from my imagination with no constraints except the bounds of logic.
There are many subgenres of sci-fi: extraterrestrial exploration, alien encounters, time travel, robots & cyborgs, inter-galactic warfare, genetically engineered life-forms; but most SF stories, including mine, are a combination of some of these. Most sci-fi can be divided into 2 broad categories – space opera and speculative fiction, sometimes called hardcore SF. Space operas, exemplified by the Star Wars franchise, Star Trek and Dr Who, generally take more liberties with the science part of science fiction.
I would call my own fictional adventures science-fantasy, in the mould of Frank Herbert’s Dune series or Ursula K Le Guin’s fiction; though it has to be said, I don’t compete with them on any level.
I make no attempt to predict the future, even though the medium seems to demand it. Science fiction is a landscape that I use to explore ideas in the guise of a character-oriented story. I discovered, truly by accident, that I write stories about relationships. Not just relationships between lovers, but between mother and daughter, daughter and father(s), protagonist and nemesis, protagonist and machine.
One of the problems with writing science fiction is that the technology available today seems to overtake what one imagines. In my fiction no one uses a mobile phone. I can see a future where people can just talk to someone in the ether, because they can connect in their home or in their car, without a device per se. People can connect via a holographic form of Skype, which means they can have a meeting with someone in another location. We are already doing this, of course, and variations on this theme have been used in Star Wars and other space operas. But most of the interactions I describe are very old fashioned face-to-face, because that's still the best way to tell a story.
If you watch (or read) crime fiction you’ll generally find it’s very suspenseful with violence not too far away. But if you analyze it, you’ll find it’s a long series of conversations, with occasional action and most of the violence occurring off-screen (or off-the-page). In other words, it’s more about personal interactions than you realise, and that’s what generally attracts you, probably without you even knowing it.
This is a longwinded introduction to explain why I am really no better qualified to predict future societies than anyone else. I subscribe to New Scientist and The New Yorker, both of which give insights into the future by examining the present. In particular, I recently read an article in The New Yorker (Dec, 17, 2018) by David Owen about facial-recognition, called Here’s Looking At You, that is already being used by police forces in America to target arrests without any transparency. Mozilla (in a podcast last year) described how a man had been misidentified twice, was arrested and subsequently lost his job and his career. I also read in last week’s New Scientist (15 Dec. 2018) how databases are being developed to know everything about a person, even what TV shows they watch and their internet use. It’s well known that in China there is a credit-point system that determines what buildings you can access and what jobs you can apply for. China has the most surveillance cameras anywhere in the world, and they intend to combine them with the latest facial recognition software.
Yuval Harari, in Homo Deus, talks about how algorithms are going to take over our lives, but I think he missed the mark. We are slowly becoming more Orwellian with social media already determining election results. In the same issue of New Scientist, journalist, Chelsea Whyte, asks: Is it time to unfriend the social network? with specific reference to Facebook’s recently exposed track-record. According to her: “Facebook’s motto was once ‘move fast and break things.’ Now everything is broken.” Quoting from the same article:
Now, the UK parliament has published internal Facebook emails that expose the mindset inside the company. They reveal discussions among staff over whether to collect users’ phone call logs and SMS texts through its Android app. “This is a pretty high-risk thing to do from a PR perspective but it appears that the growth team will charge ahead and do it.” (So said Product Manager Michael LeBeau in an email from 2015)
Even without Edward Snowden’s whistle-blowing expose, we know that governments the world over are collecting our data because the technological ability to do that is now available. We are approaching a period in our so-called civilised development where we all have an on-line life (if you are reading this) and it can be accessed by governments and corporations alike. I’ve long known that anyone can learn everything they need to know about me from my computer, and increasingly they don’t even need the computer.
In one of my fictional stories, I created a dystopian world where everyone had a ‘chip’ that allowed all conversations to be recorded so there was literally no privacy. We are fast approaching that scenario in some totalitarian societies. In Communist China under Mao, and Communist Soviet Union under Stalin, people found the circle of people they could trust got smaller and smaller. Now with AI capabilities and internet-wide databases, privacy is becoming illusory. With constant surveillance, all subversion can be tracked and subsequently prosecuted. Someone once said that only societies that are open to new ideas progress. If you live in a society where new ideas are censored then you will get stagnation.
In my latest fiction I’ve created another autocratic world, where everyone is tracked because everywhere they go they interact with very realistic androids who act as servants, butlers and concierges, but, in reality, keep track of what everyone’s doing. The only ‘futuristic’ aspect of this are the androids and the fact that I’ve set it on some alien world. (My worlds aren’t terra-formed; people live in bubbles that create a human-friendly environment.)
After reading these very recent articles in New Scientist and TNY, I’ve concluded that our world is closer to the one I’ve created in my imagination than I thought.
Addendum 1: This is a podcast about so-called Surveillance Capitalism, from Mozilla. Obviously, I use Google and I'm also on FaceBook, but I don't use Twitter. Am I part of the problem or part of the solution? The truth is I don't know. I try to make people think and share ideas. I have political leanings, obviously, but they're transparent. Foremost, I believe, that if you can't put your name to something you shouldn't post it.
